| dc.contributor.author | Gray, Richard J. II | en |
| dc.date.accessioned | 2015-04-29T12:30:32Z | |
| dc.date.available | 2015-04-29T12:30:32Z | |
| dc.date.issued | 2012-12-04 | en |
| dc.identifier.issn | 2083-2931 | en |
| dc.identifier.uri | http://hdl.handle.net/11089/8485 | |
| dc.description.abstract | In Tournier’s novel, the goutte d’or also corresponds to a symbolic object: a Berber jewel. It is the jewel that Idriss brings with him, but which he also subsequently loses upon his arrival in Marseille. From the very moment that the French tourist photographs him, a marginalization of Idriss’s identity occurs. Marginality, quite literally, refers to the spatial property of a location in which something is situated. Figuratively speaking, marginality suggests something that is on the edges or at the outer limits of social acceptability. In this essay, I explore the construction of the marginalized postcolonial self (the “Other”) through an examination of the function of visual representation in the development of a postcolonial identity in La Goutte d’or. In the end, I conclude that the construction of a postcolonial identity is based upon fragmentation and marginalization, which ultimately leads its subject to create an identity based upon false constructions. | en |
| dc.publisher | Wydawnictwo Uniwersytetu Łódzkiego | en |
| dc.relation.ispartofseries | Text Matters - A Journal of Literature, Theory and Culture;2 | en |
| dc.rights | This content is open access. | en |
| dc.title | Beyond the Margins: Identity Fragmentation in Visual Representation in Michel Tournier’s La Goutte d’or | en |
| dc.page.number | 250-263 | en |
| dc.contributor.authorAffiliation | Denison University | en |
| dc.identifier.eissn | 2084-574X | |
| dc.references | Armes, Roy. African Filmmaking: North and South of the Sahara. Bloomington: Indiana UP, 2006. Print. | en |
| dc.references | Ashcroft, Bill, Gareth Griffiths, and Helen Tiffin. The Empire Writes Back: Theory and Practice in Post-Colonial Literatures. London: Psychology, 2002. Print. | en |
| dc.references | Bacque, Marie-Hélène, et al. “Social Mix Policies in Paris: Discourses, Policies and Social Effects.” International Journal of Urban and Regional Research 35.2 (2011): 1-18. Print. | en |
| dc.references | Bertrand, Didier. “Photography at Odds with Reality in Michel Tournier’s La Goutte d’or.” Romance Languages Annual 7 (1995): 13-17. Print. | en |
| dc.references | Buisine, Alain. “A Dispossessed Text: The Writings and Photography of Michel Tournier.” Trans. Roxanne Lapidus. Sub-Stance 18:1 (1989): 25-34. Print. | en |
| dc.references | Campbell, Joseph. The Hero with a Thousand Faces. Novato: New World Library, 2008. Print. | en |
| dc.references | Colapietro, Vincent Michael. Peirce’s Doctrine of Signs: Theory, Applications, and Connections. Berlin: de Gruyter, 1996. Print. | en |
| dc.references | Culler, Jonathan. Structuralist Poetics. Ithaca: Cornell UP, 1975. Print. | en |
| dc.references | Goodman, Jane E. Berber Culture on the World Stage: From Village to Video. Bloomington: Indiana UP, 2005. Print. | en |
| dc.references | Homer, Sean. Jacques Lacan. New York: Routledge, 2005. Print. | en |
| dc.references | Mitrano, G.F. “The Photographic Imagination: Sontag and Benjamin.” Post Script 26.2 (2007): 117-36. Print. | en |
| dc.references | Perez, Nissan. Focus East: Early Photography in the Near East (1839- 1885). New York: Abrams, 1988. Print. | en |
| dc.references | Petit, Susan. Michel Tournier’s Metaphysical Fictions. Philadelphia: Benjamins, 1991. Print. | en |
| dc.references | Pezechkian, Pary. “La Goutte d’or de Michel Tournier: pour une rhétorique de l’image.” Francographies: Bulletin de la Société des Professeurs Français et Francophones D’Amérique 1 (1993): 1-6. Print. | en |
| dc.references | Platten, David. Michel Tournier and the Metaphor of Fiction. New York: St. Martin’s, 1999. Print. | en |
| dc.references | Price, David. “Simulacra, Symbolic Exchange and Technology in Michel Tournier’s La Goutte d’or.” Studies in Twentieth Century Literature. 17:2 (1993): 349-63. Print. | en |
| dc.references | Said, Edward. Orientalism. New York: Vintage, 2005. Print. | en |
| dc.references | Sontag, Susan. On Photography. New York: Dell, 1978. Print. | en |
| dc.references | Tournier, Michel. La Goutte d’or. Paris: Gallimard, 1986. Print. | en |
| dc.references | Vogl, Mary B. Picturing the Maghreb: Literature, Photography, (Re)Presentation. Lanham: Rowman, 2002. Print. | en |
| dc.references | Wolf, Mary Ellen. “The View from the Street: La Goutte d’Or.” Journal of International Women’s Studies 6.2 (2005): 202-07. Print. | en |
| dc.references | | en |
| dc.identifier.doi | 10.2478/v10231-012-0068-1 | en |
