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dc.contributor.authorWojciechowska, Sylwiaen
dc.date.accessioned2015-04-29T12:30:29Z
dc.date.available2015-04-29T12:30:29Z
dc.date.issued2012-12-04en
dc.identifier.issn2083-2931en
dc.identifier.urihttp://hdl.handle.net/11089/8480
dc.description.abstractPreceding his Arcadia with a non-existing quotation, Jim Crace proves to be no Arcadian innocent: challenging the shrewdness of his readers, the contemporary novelist seems to take pleasure in inviting them to an intellectual game which begins before the novel unfolds. The highly evocative title and the bogus quotation are bound to evoke associations which become the subject of minute examination in the novel. Its result turns out to be as astounding as the uncommon aphoristic trap laid for the readers. This article examines the significance of the bogus quotation as a part of the novel’s message and a key to its interpretation.en
dc.publisherWydawnictwo Uniwersytetu Łódzkiegoen
dc.relation.ispartofseriesText Matters - A Journal of Literature, Theory and Culture;2en
dc.rightsThis content is open access.en
dc.title“Throw[ing] the Longest Shadows”: The Significance of the Bogus Quotation for Arcadia by Jim Craceen
dc.page.number180-191en
dc.contributor.authorAffiliationNicolaus Copernicus University, Toruńen
dc.identifier.eissn2084-574X
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dc.referencesBaudrillard, Jean. Simulacra and Simulation. Trans. Sheila Faria Glaser. Ann Arbor: Michigan UP, 2010. Print.en
dc.referencesCrace, Jim. Arcadia. London: Picador, 1993. Print.en
dc.references---. “In Conversation with Jim Crace.” YouTube. Tehelka TV, 18 Feb 2011. Web. 27 Jan. 2012. ---. “A New Kind of Ghost Writer.” Guardian. Guardian, 28 Oct. 2006. Web. 3 Nov. 2011. Empson, William. Some Versions of Pastoral. New York: New Directions, 1974. Print.en
dc.referencesFarren, Michael. “Jim Crace. Invention, Commitment and Narratives of Comfort.” 2001. Jim-Crace.com. Andrew Hewitt, March 2011. Web. 3 Oct. 2011. Gifford, Terry. Pastoral. London: Routledge, 1999. Print.en
dc.referencesHansen-Pauly, Marie-Anne. “Revisiting Arcadia. Echoes of a Mythical Place in Works by Jean Giono, Jim Crace, and Ben Okri and Mikis Theodorakis.” Das Paradigma der Landschaft in Moderne und Postmoderne: (Post-)Modernist Terrains: Landscapes-Settings-Spaces. Ed. Manfred Schmeling and Monika Schmitz-Emans. Wuerzburg: Koenighausen, 2007. 195-212. Print.en
dc.referencesHuxley, Aldous. Brave New World. New York: Harper Perennial Library, 1989. Print.en
dc.referencesJames, David, and Phillip Tew, eds. New Versions of Pastoral. Post- Romantic, Modern and Contemporary Responses to the Tradition. Madison: Fairleigh Dickinson UP, 2009. Print.en
dc.referencesJames, David, and Phillip Tew, eds. “Introduction: Reenvisioning Pastoral.” New Versions of Pastoral. Post-Romantic, Modern and Contemporary Responses to the Tradition. Madison: Fairleigh Dickinson UP, 2009. 13-28. Print.en
dc.referencesSnyder, Susan. Pastoral Process. Spenser, Marvell, Milton. Stanford: Stanford UP, 1998. Print.en
dc.referencesTew, Philip. “Jim Crace’s Enigmatical Pastoral.” Ed. David James and Philip Tew. New Versions of Pastoral. Post-Romantic, Modern and Contemporary Responses to the Tradition. Madison: Fairleigh Dickinson UP, 2009. 230-44. Print.en
dc.referencesWordsworth, William. The Collected Poems. London: Wordsworth, 1994. Print.en
dc.referencesen
dc.identifier.doi10.2478/v10231-012-0063-6en


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