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dc.contributor.authorYılmaz, Simge
dc.date.accessioned2024-12-16T12:25:12Z
dc.date.available2024-12-16T12:25:12Z
dc.date.issued2024-11-28
dc.identifier.issn2083-2931
dc.identifier.urihttp://hdl.handle.net/11089/53968
dc.description.abstractThe Red-Haired Woman, one of Orhan Pamuk’s post-Nobel novels, is a concise, fable-like narrative that delves into the complexities of father-son conflicts. The novel parallels the journey of the protagonist, Cem, with the broader socio-cultural context of modern Turkey. It highlights Cem’s struggle between two ideologically contrasting father figures and draws a compelling analogy between his fragmented memory and Turkey’s cultural memories influenced by both the East and West. This paper explores the application of various memory types in the novel, scrutinizes the reliability of its narrators, and analyzes the depiction of urban space in relation to both individual and national memory, with particular focus on the contractor protagonist.en
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesText Matters: A Journal of Literature, Theory and Culture;14en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectmemoryen
dc.subjectTurkeyen
dc.subjecturban spaceen
dc.subjectOrhan Pamuken
dc.subjectThe Red-Haired Womanen
dc.titleFilling the Gaps in Broken Memory while Renewing the Cityscape: Navigating Belonging in Orhan Pamuk’s The Red-Haired Womanen
dc.typeArticle
dc.page.number105-121
dc.contributor.authorAffiliationJustus Liebig University Giessenen
dc.identifier.eissn2084-574X
dc.referencesAssmann, Jan. “Communicative and Cultural Memory.” Cultural Memory Studies: An International and Interdisciplinary Handbook, edited by Astrid Erll and Ansgar Nünning, De Gruyter, 2008, pp. 109–18. https://doi.org/10.1515/9783110207262.2.109en
dc.referencesErll, Astrid. “Cultural Memory Studies: An Introduction.” Cultural Memory Studies: An International and Interdisciplinary Handbook, edited by Astrid Erll and Ansgar Nünning, De Gruyter, 2008, pp. 1–15. https://doi.org/10.1515/9783110207262.0.1en
dc.referencesErll, Astrid. “Regional Integration and (Trans)cultural Memory.” Asia Europe Journal, vol. 8, 2010, pp. 305–15. https://doi.org/10.1007/s10308-010-0268-5en
dc.referencesGöknar, Erdağ. “A Turkish Woman in the Oedipus Complex: Orhan Pamuk’s ‘The Red-Haired Woman.’” Los Angeles Review of Books, 22 Aug. 2017, https://lareviewofbooks.org/article/a-turkish-woman-in-the-oedipus-complex-orhan-pamuks-the-red-haired-woman/ accessed 26 Sept. 2023.en
dc.referencesGöknar, Erdağ. Orhan Pamuk, Secularism and Blasphemy: The Politics of the Turkish Novel. Routledge, 2013. https://doi.org/10.4324/9780203080108en
dc.referencesNeumann, Birgit. “The Literary Representation of Memory.” Cultural Memory Studies: An International and Interdisciplinary Handbook, edited by Astrid Erll and Ansgar Nünning, De Gruyter, 2008, pp. 333–43. https://doi.org/10.1515/9783110207262.5.333en
dc.referencesNünning, Vera. “Reconceptualising Fictional (Un)reliability and (Un)trustworthiness from a Multidisciplinary Perspective: Categories, Typology and Functions.” Unreliable Narration and Trustworthiness: Intermedial and Interdisciplinary Perspectives, edited by Vera Nünning, De Gruyter, 2015, pp. 83–108. https://doi.org/10.1515/9783110408263en
dc.referencesPamuk, Orhan. Cevdet Bey ve oğulları. İletişim, 2003.en
dc.referencesPamuk, Orhan. My Name is Red. Translated by Erdağ M. Göknar, Faber & Faber, 2011.en
dc.referencesPamuk, Orhan. Silent House. Translated by Robert Finn, Faber & Faber, 2013.en
dc.referencesPamuk, Orhan. The Museum of Innocence. Translated by Maureen Freely, Faber & Faber, 2009.en
dc.referencesPamuk, Orhan. The Red-Haired Woman. Translated by Ekin Oklap, Vintage, 2018.en
dc.referencesPamuk, Orhan. The White Castle. Translated by Victoria Holbrook, Faber & Faber, 2015.en
dc.referencesRentzsch, Julian. “A Modern Urban Epic: Kırmızı Saçlı Kadın.” Texts, Contexts, Intertexts: Studies in Honor of Orhan Pamuk, edited by Julian Rentzsch and Petr Kučera, Ergon, 2022, pp. 333–92. https://doi.org/10.5771/9783956509742-333en
dc.referencesSchmid, Wolf. “Implied Author.” Handbook of Narratology, edited by Peter Hühn, John Pier, Wolf Schmid and Jörg Schönert, De Gruyter, 2009, pp. 161–73. https://doi.org/10.1515/9783110217445.161en
dc.referencesTürker Gümüş, Elif. “A Novel like a Well: A Girardian Reading of Pamuk’s The Red-Haired Woman.” Orhan Pamuk: Critical Essays on a Novelist between Worlds, edited by Taner Can, Berkan Ulu and Koray Melikoğlu, Ibidem, 2017, pp. 231–47.en
dc.contributor.authorEmailsimge.yilmaz@turkologie.uni-giessen.de
dc.identifier.doi10.18778/2083-2931.14.07


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