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dc.contributor.authorTardi, Mark
dc.date.accessioned2023-12-29T17:36:36Z
dc.date.available2023-12-29T17:36:36Z
dc.date.issued2023-12-20
dc.identifier.issn2083-2931
dc.identifier.urihttp://hdl.handle.net/11089/48988
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesText Matters: A Journal of Literature, Theory and Culture;13en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.title“All of history a rehearsal for its own extinction”: A Review of Cormac McCarthy’s The Passenger (Knopf, 2022)en
dc.typeOther
dc.page.number505-509
dc.contributor.authorAffiliationUniversity of Lodzen
dc.identifier.eissn2084-574X
dc.contributor.authorEmailmark.tardi@uni.lodz.pl
dc.identifier.doi10.18778/2083-2931.13.26


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