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dc.contributor.authorCieślak, Magdalena
dc.date.accessioned2022-11-28T07:49:30Z
dc.date.available2022-11-28T07:49:30Z
dc.date.issued2022-11-24
dc.identifier.issn2083-2931
dc.identifier.urihttp://hdl.handle.net/11089/44384
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesText Matters: A Journal of Literature, Theory and Culture;12en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.titleA Review of Variable Objects: Shakespeare and Speculative Appropriation, edited by Valerie M. Fazel and Louise Geddes (Edinburgh UP, 2021)en
dc.typeOther
dc.page.number511-515
dc.contributor.authorAffiliationUniversity of Lodzen
dc.identifier.eissn2084-574X
dc.referencesBennett, Jane. Vibrant Matter: A Political Ecology of Things. Duke UP, 2010. https://doi.org/10.1215/9780822391623en
dc.referencesFazel, Valerie M., and Louise Geddes. The Shakespeare User: Critical and Creative Appropriations in a Networked Culture. Palgrave Macmillan, 2017. https://doi.org/10.1007/978-3-319-61015-3_1en
dc.referencesFazel, Valerie M., and Louise Geddes, editors. Variable Objects: Shakespeare and Speculative Appropriation. Edinburgh UP, 2021. https://doi.org/10.1515/9781474481410en
dc.contributor.authorEmailmagdalena.cieslak@uni.lodz.pl
dc.identifier.doi10.18778/2083-2931.12.30


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