A Review of Natalie Crohn Schmitt, Performing Commedia dell’Arte, 1570–1630 (Routledge, 2019)
| dc.contributor.author | Morawski, Piotr | |
| dc.date.accessioned | 2021-12-21T18:38:41Z | |
| dc.date.available | 2021-12-21T18:38:41Z | |
| dc.date.issued | 2021-11-22 | |
| dc.identifier.issn | 2083-2931 | |
| dc.identifier.uri | http://hdl.handle.net/11089/40165 | |
| dc.language.iso | en | |
| dc.publisher | Wydawnictwo Uniwersytetu Łódzkiego | pl |
| dc.relation.ispartofseries | Text Matters: A Journal of Literature, Theory and Culture;11 | en |
| dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0 | |
| dc.title | A Review of Natalie Crohn Schmitt, Performing Commedia dell’Arte, 1570–1630 (Routledge, 2019) | en |
| dc.type | Other | |
| dc.page.number | 432-436 | |
| dc.contributor.authorAffiliation | University of Warsaw | en |
| dc.identifier.eissn | 2084-574X | |
| dc.references | Balme, Christopher B. “Conclusion: Commedia dell’Arte and Cultural Heritage.” Commedia dell’Arte in Context, edited by Christopher B. Balme, Piermario Vescovo and Daniele Vianello, Cambridge UP, 2018, pp. 311–19. https://doi.org/10.1017/9781139236331 | en |
| dc.references | Carruthers, Mary. The Book of Memory. A Study of Memory in Medieval Culture. Cambridge UP, 2008. https://doi.org/10.1017/CBO9781107051126 | en |
| dc.references | Heck, Thomas F. Review of Befriending the Commedia dell’Arte of Flaminio Scala: The Comic Scenarios, by Natalie Crohn Schmitt. Theatre Journal, vol. 67, no. 4, December 2015, pp. 763–64. https://doi.org/10.1353/tj.2015.0121 | en |
| dc.references | Kerr, Rosalind. Review of Befriending the Commedia dell’Arte of Flaminio Scala: The Comic Scenarios, by Natalie Crohn Schmitt. Renaissance Quarterly, vol. 68, no. 4, Winter 2015, pp. 1502–04. https://doi.org/10.1086/685235 | en |
| dc.references | Ong, Walter J. Orality and Literacy. The Technologizing of the Word. Methuen, 1982. https://doi.org/10.4324/9780203328064 | en |
| dc.references | Orgel, Stephen. “Theaters and Audiences.” European Theatre Performance Practice, 1580–1750, edited by Robert Henke and M. A. Katritzky, Ashgate, 2014, pp. 437–72. | en |
| dc.references | Schmitt, Natalie Crohn. Befriending the Commedia dell’Arte of Flaminio Scala: The Comic Scenarios. U of Toronto P, 2014. https://doi.org/10.3138/9781442619173 | en |
| dc.references | Schmitt, Natalie Crohn. Performing Commedia dell’Arte, 1570–1630. Routledge, 2019. https://doi.org/10.4324/9780429023040 | en |
| dc.references | Soleo-Shanks, Jenna. Review of Befriending the Commedia dell’Arte of Flaminio Scala: The Comic Scenarios, by Natalie Crohn Schmitt. Comparative Drama, vol. 49, no. 2, Summer 2015, pp. 240–42. https://doi.org/10.1353/cdr.2015.0013 | en |
| dc.references | Wilbourne, Emily. Seventeenth-Century Opera and the Sound of the Commedia dell’Arte. Chicago UP, 2016. https://doi.org/10.7208/chicago/9780226401607.001.0001 | en |
| dc.contributor.authorEmail | p.morawski@uw.edu.pl | |
| dc.identifier.doi | 10.18778/2083-2931.11.29 |
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