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dc.contributor.authorJasper, Alison
dc.date.accessioned2021-12-21T18:38:18Z
dc.date.available2021-12-21T18:38:18Z
dc.date.issued2021-11-22
dc.identifier.issn2083-2931
dc.identifier.urihttp://hdl.handle.net/11089/40137
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesText Matters: A Journal of Literature, Theory and Culture;11en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.titleProfessor Dorota Filipczak In Memoriamen
dc.typeOther
dc.page.number9-14
dc.contributor.authorAffiliationUniversity of Stirlingen
dc.identifier.eissn2084-574X
dc.referencesAnderson, Pamela Sue. A Feminist Philosophy of Religion. Blackwell, 1998. https://doi.org/10.1177/135583589800500910en
dc.referencesFilipczak, Dorota. “Autonomy and Female Spirituality in a Polish Context: Divining a Self.” Feminist Philosophy of Religion: Critical Readings, edited by Pamela Sue Anderson and Beverley Clack, Routledge, 2004, pp. 210–22.en
dc.referencesFilipczak, Dorota. “Made to Connive: Revisioning Cinderella in a Music Video. From Disney to Arthur Pirozkhov: A Case Study.” Text Matters, vol. 10, 2020, pp. 67–78. https://doi.org/10.18778/2083-2931.10.04en
dc.referencesFilipczak, Dorota. Unpublished confirmed abstract for the International Society for Religion, Literature and Culture conference Transmutations and Transgressions. 25 Apr. 2020.en
dc.referencesKornhaber, Spencer. “How Ariana Grande Fell Off the Cultural-Appropriation Tightrope.” The Atlantic, 23 Jan. 2019, https://www.theatlantic.com/entertainment/archive/2019/01/ariana-grandes-7-rings-really-cultural-appropriation/580978/ accessed 25 July 2021.en
dc.referencesLe Dœuff, Michèle. The Sex of Knowing. Translated by Kathryn Hamer and Lorraine Code. Routledge, 2003.en
dc.contributor.authorEmails0ph1a@virginmedia.com
dc.identifier.doi10.18778/2083-2931.11.01


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