dc.contributor.author | Crivella, Giuseppe | |
dc.date.accessioned | 2020-11-16T11:05:59Z | |
dc.date.available | 2020-11-16T11:05:59Z | |
dc.date.issued | 2020 | |
dc.identifier.issn | 2392-0718 | |
dc.identifier.uri | http://hdl.handle.net/11089/32552 | |
dc.description.abstract | Il testo si propone di analizzare le modalità di funzionamento dei sistemi descrittivi nei Salonsdi Diderot. Recuperando il fitto reticolo di definizioni operative messe a punto da Philippe Hamon nel noto testo Du descriptif, il nostro studio sviluppa una serie di analisi finalizzate a mettere in luce la distanza della prassi descrittiva di Diderot rispetto alle enunciazioni teoriche della trattatistica retorica a lui anteriore o coeva, puntando l’attenzione soprattutto su un uso assolutamente originale del pantonimo all’interno dei Salons. | pl_PL |
dc.description.abstract | The text aims to analyse how the descriptive systems work in the Salons of Diderot. Retrieving the dense network of operational definitions developed by Philippe Hamon in the well-known text Du descriptif, our study develops a series of analyses aimed at highlighting the distance of Diderot’s descriptive practice with respect to the theoretical statements of the rhetorical treatise before him or coeval, focusing above all on an absolutely original use of the pantonyme within the Salons. | pl_PL |
dc.language.iso | it | pl_PL |
dc.publisher | Wydawnictwo Uniwersytetu Łódzkiego | pl_PL |
dc.relation.ispartofseries | e-Scripta Romanica;8 | |
dc.subject | Salonsdi Diderot | pl_PL |
dc.subject | Philippe Hamon | pl_PL |
dc.subject | Visual Studies | pl_PL |
dc.subject | descrizione/definizion | pl_PL |
dc.subject | pantonimo | pl_PL |
dc.subject | Diderot’s Salons | pl_PL |
dc.subject | description/definition | pl_PL |
dc.subject | pantonyme | pl_PL |
dc.title | L’œil-araignéeSistemi descrittivi come scatole ottiche nei Salonsdi Diderot Una lettura a partire dalle tesi di Hamon | pl_PL |
dc.title.alternative | L’œil-araignéeDescriptive systems like optical boxes in Diderot’s SalonsA reading starting from Hamon’s theses | pl_PL |
dc.type | Article | pl_PL |
dc.page.number | 36-53 | pl_PL |
dc.contributor.authorAffiliation | Université Paris-X Nanterre, Francia | pl_PL |
dc.references | ARASSE,D.(1973).L’image et son discours: deux descriptions de Diderot.Scolies:Cahiers de Recherches de l’ENS, 3-4, pp. 131-160. | pl_PL |
dc.references | BACHELARD,G.(1943).L’air et les songes. Paris: José Corti. | pl_PL |
dc.references | BARTHES,R.(2005).Leçon 1977, in Œuvres complètes V. Paris: Seuil. | pl_PL |
dc.references | CARTWRIGHT,M.T.(1969).Diderot critique d’art et le problème de l’expression, Diderot Studies,13, pp. 1-267. | pl_PL |
dc.references | CHOUILLET,J.(1973).La formation des idées esthétiques de Diderot. Paris: Armand Colin. | pl_PL |
dc.references | COHEN,H.(1991).Diderot et les limites de la littérature dans les Salons.Diderot Studies, 24, pp. 25-31. | pl_PL |
dc.references | DE SAUSSURE,F.(1965).Cours de linguistique générale. Paris: Payot. | pl_PL |
dc.references | DIDEROT,D.(1995).Ruines et paysages. Salon de 1767. Paris: Hermann. | pl_PL |
dc.references | DIDEROT,D.(2007).Essais sur la peinture. Salon de 1759, 1761, 1763. Paris: Hermann. | pl_PL |
dc.references | DIDEROT,D.(2008).Salons. Paris: Gallimard. | pl_PL |
dc.references | GENETTE,G.(1986).Figure III. Discorso del racconto. Torino: Einaudi. | pl_PL |
dc.references | GRENAND,S.(2007).L’œil ravi. Violences du regard dans les premiers Salons de Diderot. Diderot Studies,30,pp. 143-154. | pl_PL |
dc.references | HAMON,P.(1981).Du descriptif. Paris: Hachette. | pl_PL |
dc.references | IBRAHIM, A.(1995).Diderot et la question de la forme. Paris: PUF. | pl_PL |
dc.references | LOJKINE,S.(2007).Le problème de la description dans les Salons de Diderot.Diderot Studies, 30,pp. 53-72. | pl_PL |
dc.references | LYOTARD,J-F.(1985).La philosophie et la peinture à l’ère de leur expérimentation.InCAZENAVE, A & LYOTARD, J-F. (ed.), L’art des confins. Mélanges offerts à Maurice de Gandillac.Paris: PUF,pp. 465-477. | pl_PL |
dc.references | ROGER,J.(1963).Diderot et Buffon en 1749.Diderot Studies, 4, pp. 221-236. | pl_PL |
dc.references | SCHILLER,F.(1997).Sul Sublime, Milano: SE. | pl_PL |
dc.references | SEGRE,C.(1999).Avviamento all’analisi del testo letterario. Torino: Einaudi. | pl_PL |
dc.references | SERRES,M.(1974).La traduction. Hermès III. Paris: Minuit. | pl_PL |
dc.references | SERRES,M.(1979).La distribution.Hermès IV. Paris: Minuit. | pl_PL |
dc.references | SERRES,M.(1980).Le passage de Nord-Ouest. Hermès V. Paris: Minuit. | pl_PL |
dc.identifier.doi | 10.18778/2392-0718.08.03 | |