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dc.contributor.authorSetai, Phokeng T.
dc.contributor.authorCoetzee, Jan K.
dc.contributor.authorMaeder, Christoph
dc.contributor.authorWojciechowska, Magdalena
dc.contributor.authorAckermann, Leane
dc.date.accessioned2019-01-17T08:49:51Z
dc.date.available2019-01-17T08:49:51Z
dc.date.issued2018
dc.identifier.urihttp://hdl.handle.net/11089/26499
dc.description.abstractSince the beginning of time art-making has been a tool to express, preserve, and challenge the extant knowledge in society. Artists do this by finding or creatively constructing new understandings in society. An artist is able to do this through the medium he/she uses to relay the message of the artwork. The medium that an artist uses to express his/her artistic concept has an impact on the character that the artwork will take. The medium of expression forms but one of the many considerations that go through an artist’s mind when creating art. In the process of art-making, an artist seeks to create new meanings or re-imagine old ones by organizing materials and concepts. In so doing, he/she discovers novel ways to get ideas across, and thereby creates new interpretations of social phenomena. In this article, attention is given to meaning-making as a conscious and iterative component of creating art. From a series of in-depth interviews, the authors analyze the inward processes that occur within six artists’ creative praxes and how these lead their construction of meaning. Attention is also paid to how the artists manipulate concepts and how they construct and deconstruct their understandings of these concepts in the course of their creative endeavors.en_GB
dc.description.sponsorshipDziekan Wydziału Ekonomiczno-Socjologicznego (B18112CZAS1175.01; MPK: 2122524000).en_GB
dc.language.isoenen_GB
dc.publisherWydawnictwo Uniwersytetu Łódzkiegoen_GB
dc.relation.ispartofseriesQualitative Sociology Review;4
dc.rightsThis work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.pl_PL
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0pl_PL
dc.subjectArt-Makingen_GB
dc.subjectCreative Processen_GB
dc.subjectIntersubjectivityen_GB
dc.subjectLifeworlden_GB
dc.subjectLived Experienceen_GB
dc.subjectMeaningen_GB
dc.subjectMeaning- Makingen_GB
dc.subjectSignsen_GB
dc.subjectSymbolsen_GB
dc.subjectTypificationsen_GB
dc.titleThe Creative Process. A Case for Meaning-Makingen_GB
dc.typeArticleen_GB
dc.page.number86-99
dc.contributor.authorAffiliationPhokeng T. Setai, Jan K. Coetzee, Leane Ackermann - University of the Free State, South Africa
dc.contributor.authorAffiliationUniversity of Zurich, Switzerland
dc.contributor.authorAffiliationUniversity of Lodz, Poland
dc.contributor.authorAffiliationUniversity of the Free State, South Africa
dc.identifier.eissn1733-8077
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dc.contributor.authorEmaillanoir92@gmail.com
dc.contributor.authorEmailcoetzeejk@ufs.ac.za
dc.contributor.authorEmailchristoph.maeder@phzh.ch
dc.contributor.authorEmailwojciechowska.ms@gmail.com
dc.contributor.authorEmailackermal@ufs.ac.za
dc.identifier.doi10.18778/1733-8077.14.4.06
dc.relation.volume14en_GB


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