Two Faces of Art – Public and Private – in John Dewey’s in John Dewey’s Aesthetic Experience

Chudoba, Ewa

dc.contributor.author	Chudoba, Ewa
dc.contributor.editor	Garlińska-Toborek, Agnieszka
dc.contributor.editor	Kazimierska-Jerzyk, Wioletta
dc.date.accessioned	2017-10-04T09:49:41Z
dc.date.available	2017-10-04T09:49:41Z
dc.date.issued	2016
dc.identifier.citation	Chudoba E., Two Faces of Art – Public and Private – in John Dewey’s in John Dewey’s Aesthetic Experience, [in:] Gralińska-Toborek A., Kazimierska-Jerzyk W. (eds), Aesthetic Energy of the City. Experiencing Urban Art and Space, Łódź University Press, Łódź 2016, s. [145]-149, doi: 10.18778/8088-151-8.09	pl_PL
dc.identifier.isbn	978-83-8088-151-8
dc.identifier.isbn	978-83-939800-1-7
dc.identifier.uri	http://hdl.handle.net/11089/22780
dc.description.abstract	According to American pragmatist John Dewey (1859–1952), art is an experience (not necessarily an object) and as such it might potentially cover all human interactions. To put it otherwise, an aesthetic experience is needed to create a meaningful piece of art. For human beings, the most stimulating environment for having aesthetic experiences is social life. Two main spheres of the aesthetic experience are distinguished: private and public. At first it seems that Dewey followed the modernist distinction, because he coined the terms of private consummatory experiences and public aesthetic experiences. However, in many respects, the distinction seems artificial and does not explain the phenomenon of Dewey’s aesthetics. The paper addresses the issue and tries to capture the spirit of Deweyan aesthetics by analysing various aesthetic experiences.	pl_PL
dc.language.iso	en	pl_PL
dc.publisher	Łódź University Press	pl_PL
dc.relation.ispartof	Gralińska-Toborek A., Kazimierska-Jerzyk W. (eds), Aesthetic Energy of the City. Experiencing Urban Art and Space, Łódź University Press, Łódź 2016;
dc.rights	Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/3.0/pl/	*
dc.title	Two Faces of Art – Public and Private – in John Dewey’s in John Dewey’s Aesthetic Experience	pl_PL
dc.type	Book chapter	pl_PL
dc.rights.holder	© Copyright by Authors, Łódź 2016; © Copyright for this edition by Uniwersytet Łódzki, Łódź 2016; © Copyright for this edition by Fundacja Urban Forms, Łódź 2016	pl_PL
dc.page.number	[145]-149	pl_PL
dc.identifier.eisbn	978-83-8088-152-5
dc.contributor.authorBiographicalnote	Ph.D. – is an aesthetician and a feminist, a researcher in the field of American pragmatist philosophy. She works at Jagiellonian University as a project manager doing research on Polish women philosophers at JU. She is the author of the book “Literatura i homoseksualność” [Literature and Homosexuality].	pl_PL
dc.references	Benjamin, Walter (2009), The Work of Art in the Age of Mechanical Reproduction, New York: Oxford University Press.	pl_PL
dc.references	Dewey, John (1985), Democracy and Education, [in:] The Middle Works, vol. 9, Carbondale–Edwardsville: Southern Illinois University Press.	pl_PL
dc.references	Dewey, John (1987), “Art as Experience”, [in:] John Dewey, The Later Works, vol. 10, Carbondale–Edwardsville: Southern Illinois University Press.	pl_PL
dc.references	Hickman, Larry (1990), John Dewey’s Pragmatic Technology, Bloomington: Indiana University Press.	pl_PL
dc.references	Bradbury, Malcolm; McFarlane, James (eds.) (1991), Modernism, London: Penguin Books.	pl_PL
dc.references	Murdoch, Iris (1979), The Bell, London: Chatto and Windus.	pl_PL
dc.references	Roskill, Marc; Hand, John Oliver (eds.) (2001), Hans Holbein: Paintings, Prints and Receptions, New Haven–London: Yale University Press.	pl_PL
dc.references	Wojnar, Irena (1975), “Sztuka jakością życia”, [in:] John Dewey, Sztuka jako doświadczenie, trans. A. Potocki, Wrocław: Zakład Narodowy Ossolińskich „Ossolineum”.	pl_PL
dc.identifier.doi	10.18778/8088-151-8.09