dc.contributor.author | Klag, Katarzyna Wiktoria | |
dc.date.accessioned | 2017-06-30T06:08:32Z | |
dc.date.available | 2017-06-30T06:08:32Z | |
dc.date.issued | 2014 | |
dc.identifier.issn | 2353-6098 | |
dc.identifier.uri | http://hdl.handle.net/11089/22047 | |
dc.description.abstract | Tolkien valued music in his private life, and this is mirrored in his works about Middle-Earth, which owes its very existence to music. It is born out of the song of the Ainur. But the role of music does not end with this creative act, rather, it continues to influence the history of Middle-Earth. The paper aims to analyze the role of music in the tale of Beren and Lúthien in the published Silmarillion. The tale of Beren and Lúthien was of personal significance to Tolkien himself. It also includes numerous allusions to music. It is the language of love for both Beren and Lúthien, who make their own songs. Lúthien’s music has power which allows her to overcome Sauron and Morgoth and to win a second life for Beren from Mandos, while Finrod uses music in his duel with Sauron. Music affects both positive and negative characters, including Sauron and Morgoth. Its importance is also emphasized by the existence of professional musicians, such as Daeron, Thingol's minstrel. The story "Of Beren and Lúthien" demonstrates the power of music, which has a huge impact on the entire history of Middle- Earth. Without it, many events would never have happened. | pl_PL |
dc.language.iso | en | pl_PL |
dc.publisher | Department of Studies in Drama and Pre-1800 English Literature, University of Łódź | pl_PL |
dc.relation.ispartofseries | Analyses/Rereadings/Theories Journal;2 | |
dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/pl/ | * |
dc.subject | Beren | pl_PL |
dc.subject | Lúthien | pl_PL |
dc.subject | Middle-Earth | pl_PL |
dc.subject | music | pl_PL |
dc.subject | Tolkien | pl_PL |
dc.title | The Power of Music in the Tale of Beren and Lúthien by J.R.R. Tolkien | pl_PL |
dc.type | Article | pl_PL |
dc.rights.holder | Katarzyna Wiktoria Klag | pl_PL |
dc.page.number | 13-20 | pl_PL |
dc.contributor.authorBiographicalnote | Katarzyna Wiktoria Klag is a graduate of English Philology at the Jagiellonian University in
Cracow. Her MA thesis is entitled Supernatural creatures in Shakespeare's comedies. She also
graduated from German Philology at the State Higher Vocational School in Nowy Sącz, where
she defended her BA thesis, Elfen in der deutschen Mythologie und Literatur. Her research
interests include Shakespeare's comedies and writings by J.R.R. Tolkien. | pl_PL |
dc.references | Drout, Michael D. C. J.R.R. Tolkien Encyclopedia. Scholarship and Critical Assessment. New York: Routledge, 2007. Print. | pl_PL |
dc.references | Eden, Bradford Lee. “Music in Middle Earth.” J.R.R. Tolkien Encyclopedia. Scholarship and Critical Assessment. Ed. Michael D.C. Drout. New York: Routledge, 2007. 444-45. Print. | pl_PL |
dc.references | Eden, Bradford Lee. “The ‘Music of the Spheres’: Relationship between Tolkien’s The Silmarillion and Medieval Cosmological and Religious Theory.” Tolkien the Medievalist. Ed. Jane Chance. London: Routledge, 2003. 183-93. Print. | pl_PL |
dc.references | Flieger, Verlyn. Interrupted Music: The Making of Tolkien’s Mythology. Kent, OH: Kent State UP, 2005. Print. | pl_PL |
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dc.references | Tolkien, John Ronald Reuel. The Silmarillion. London: Unwin Paperbacks, 1984. Print. | pl_PL |
dc.references | West, Richard C. “Real-world Myth in a Secondary Story. Mythological Aspects in the Story of Beren and Lúthien.” Tolkien the Medievalist. Ed. Jane Chance London: Routledge, 2003. 259-67. Print. | pl_PL |
dc.relation.volume | 2 | pl_PL |