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dc.contributor.authorMarušić, Matko Matija
dc.date.accessioned2017-04-27T12:13:55Z
dc.date.available2017-04-27T12:13:55Z
dc.date.issued2016
dc.identifier.issn2084-140X
dc.identifier.urihttp://hdl.handle.net/11089/21413
dc.description.abstractThe paper discusses a group of monumental crucifixes from the 13th-century East Adriatic and Italy, pained or executed in low relief, that display a verse inscriptions on the transverse limb of the cross. The main scope of the paper is to examine the provenance of the text inscribed in order to yield clearer insight into their function, use and original location in the church interiors. The paper specifically aims at analyzing three monumental crucifixes from the East-Adriatic city of Zadar which, although have already been the subject of a respectable number of studies, have not attracted attention as objects of devotion. My interest, therefore, is turned towards verse inscription as their distinctive feature and, as I shall argue, a key aspect in understanding their function. Examining the nature of the text displayed, iconography and materiality of these crucifixes, my main argument is to demonstrate how these objects provoked a multi-faced response from their audience, since were experienced by seeing, hearing and touching respectively.en_GB
dc.language.isoenen_GB
dc.publisherWydawnictwo Uniwersytetu Łódzkiegoen_GB
dc.relation.ispartofseriesStudia Ceranea. Journal of the Waldemar Ceran Research Centre for the History and Culture of the Mediterranean Area and South-East Europe;6
dc.subjectmonumental crucifixesen_GB
dc.subjectpained crossesen_GB
dc.subjectverse inscriptionsen_GB
dc.subjectmedieval devotional poetryen_GB
dc.subjectmedieval devotional practicesen_GB
dc.subjectZadaren_GB
dc.titleVerses of Faith and Devotion. Seeing, Reading, and Touching Monumental Crucifixes with Inscriptions (12th–13th century)en_GB
dc.typeArticleen_GB
dc.rights.holder© Copyright by Authors, Łódź 2016; © Copyright for this edition by Uniwersytet Łódzki, Łódź 2016en_GB
dc.page.number397-421
dc.contributor.authorAffiliationInstitute of Art History
dc.identifier.eissn2449-8378
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dc.contributor.authorEmailmatkomatijamarusic@gmail.com
dc.identifier.doi10.18778/2084-140X.06.20


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