dc.contributor.author | Martens-Czarnecka, Małgorzata | |
dc.date.accessioned | 2016-06-16T06:22:55Z | |
dc.date.available | 2016-06-16T06:22:55Z | |
dc.date.issued | 2015 | |
dc.identifier.citation | M. Martens-Czarnecka, The Christian Nubia and the Arabs, „Studia Ceranea. Journal of the Waldemar Ceran Research Center for the History and Culture of the Mediterranean Area and South-East Europe” 2015, Vol. 5, s. 249-265. | en |
dc.identifier.issn | 2084-140X | |
dc.identifier.uri | http://hdl.handle.net/11089/18404 | |
dc.description.abstract | Nubia constituted the area in the Nile Valley in the present day Sudan, the area which
spread from the first cataract up to the place where the White Nile meets the Blue Nile. The area was
inhabited by the population using a common language – Old Nubian. In the second half of the sixth
century thanks to the missions send by the Byzantine Court, Nubia accepted Christianity as a state religion. Nubia immediately found itself in the area of influence of Byzantine culture. Byzantine
administration, liturgy of the Eastern Church and the Greek language were introduced.
In 641 the Arab conquest of Egypt took place. Soon after that in 642, the Arab army entered the
Nubian territory and from this date centuries of clashes and peace treaties characterized relations
between Nubians and Arab peoples. The 13th century marks slow decline of the kingdom of Nubia.
Hostile Negro tribes from the South and South-West appear in the Mid Valley of Nile. Fights weaken
the kingdom; slow islamization of the country follows, royal rule and Christian faith falls and together
with those culture and arts deteriorates.
The history of military as well as political or commercial Nubian–Arabic contacts over entire period
of existence of Christian kingdom of Nubia undoubtedly had to bring about certain artistic trends
in Nubia originating from rich heritage of Muslim culture. The culture of Christian Nubia originally
based to considerable extent on Byzantine art, in course of time, subjected to more and more intense
Arabic influence, significantly changed. Arabic components seen in Nubian church architecture, wall
painting and art crafts became predominant, which over following centuries led to creation of Arabic
culture of the contemporary Sudan. | en |
dc.language.iso | en | pl_PL |
dc.publisher | Wydawnictwo Uniwersytetu Łódzkiego | pl_PL |
dc.relation.ispartof | Studia Ceranea. Journal of the Waldemar Ceran Research Center for the History and Culture of the Mediterranean Area and South-East Europe;5 | |
dc.relation.ispartofseries | Studia Ceranea. Journal of the Waldemar Ceran Research Center for the History and Culture of the Mediterranean Area and South-East Europe;5 | en |
dc.rights | Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/pl/ | * |
dc.subject | Nubia | en |
dc.subject | early Christianity | en |
dc.subject | Arabs | en |
dc.subject | Byzantium | en |
dc.subject | Christian Church | en |
dc.subject | Nobadia | en |
dc.subject | Makuria | en |
dc.title | The Christian Nubia and the Arabs | en |
dc.type | Article | en |
dc.rights.holder | © Copyright by Małgorzata Martens-Czarnecka, Łódź 2015; © Copyright for this edition by Uniwersytet Łódzki, Łódź 2015 | pl_PL |
dc.page.number | 249-265 | pl_PL |
dc.contributor.authorAffiliation | Instytut Kultur Śródziemnomorskich i Orientalnych, Polska Akademia Nauk, ul. Nowy Świat 72, 00–330 Warszawa, Polska/Poland | pl_PL |
dc.identifier.eissn | 2449-8378 | |
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dc.contributor.authorEmail | mmartens@orange.pl | pl_PL |
dc.identifier.doi | 10.18778/2084-140X.05.08 | |