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"Darling Look! It’s a Banksy!” Viewers’ Material Engagement with Street Art and Graffiti
(Łódź University Press, 2016)
This chapter examines viewers’ affective encounters with street art and graffiti, with attention to the critical framework provided by Rancière (2004), whose work suggests a method for investigating our aesthetic practices ...
Two Faces of Art – Public and Private – in John Dewey’s in John Dewey’s Aesthetic Experience
(Łódź University Press, 2016)
According to American pragmatist John Dewey (1859–1952), art is an experience (not necessarily an object) and as such it might potentially cover all human interactions. To put it otherwise, an aesthetic experience is needed ...
„Don Kichot” sztuki. Zarys twórczości Icchoka (Wincentego) Braunera
(Wydawnictwo Uniwersytetu Łódzkiego, 2016)
The aim of the article is to introduce Icchok (Wincenty) Brauner, the artist who was one
of the most significant people from a circle of artists in Łódź between 1918 and 1936. He
was the initiator of cultural events, ...
O architekturze europejskiej w Malakce
(Wydawnictwo Uniwersytetu Łódzkiego, 2016)
The city of Malacca was founded ca. 1400 by Iskander Shah, but it belonged to Malays only for
a century. From 1511 till 1957 this town was in possession of Europeans. As one of the main
ports in the Far East it played a ...
Stereoselfie z mandragorą
(Wydawnictwo Uniwersytetu Łódzkiego, 2016)
I have used a photo depicting Prof. Wanda Nowakowska hidden behind the mandrake as a pretext
for considerations regarding a person herself and problems associated with “going in for”
art history. An attribute may not ...
Kotarbiński’s Ontology of Humanities
(Wydawnictwo Uniwersytetu Łódzkiego, 2016)
What is left of this initial project once Kotarbiński’s textbook became obsolete – as Kotarbiński himself claims, perhaps too modestly, in the preface of its second edition, in 1959 – and also given the strong criticism ...
Afrodyta, piękno i sztuka
(Wydawnictwo Uniwersytetu Łódzkiego, 2016)
Beauty and art must be presented in context. “Art” is bound to the understanding of how
the objects should be perceived and how the surrounding environment shaped their meaning.
To the ancient Greeks beauty was bound to ...
„Teoria widzenia” Władysława Strzemińskiego i „O nową organizację Muzeów Sztuki” Mariana Minicha, czyli jak patrzeć sztukę
(Wydawnictwo Uniwersytetu Łódzkiego, 2016)
The theme of the article is a new methodology for art history studies proposed in Władysław
Strzemiński’s book The Theory of Vision and Marian Minich’s For the New Organization
of Art Museums, the texts which are still ...
Namiętności ducha, czyli sztuka narodowa na Powszechnej Wystawie Światowej w Paryżu w 1900 r.
(Wydawnictwo Uniwersytetu Łódzkiego, 2016)
A review of the works which were displayed at the Exposition of the Decade (Grand Palais)
indicates how essential the national aspect was for individual countries – an aspect shaped
at the turn of the century by such ...
W atelier artysty. Pracownie malarzy łódzkich 1890–1939
(Wydawnictwo Uniwersytetu Łódzkiego, 2016)
The artist’s studio was an important part of the creative process in the 19th and early 20th
centuries. The article is an attempt to present the current status of research into artists’ studios
in Łódź that for various ...