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<title>Zagadnienia Rodzajów Literackich 2022, t. 65, nr 3 (143)</title>
<link href="http://hdl.handle.net/11089/45486" rel="alternate"/>
<subtitle>Sonda umysłu genologicznego: solarpunk, parabola etc. | A mind probe off genres: solarpunk, parable etc.</subtitle>
<id>http://hdl.handle.net/11089/45486</id>
<updated>2026-04-04T08:46:40Z</updated>
<dc:date>2026-04-04T08:46:40Z</dc:date>
<entry>
<title>13. Seminarium Open Access w Bibliotece Uniwersytetu Łódzkiego 24–30 października 2022 r.</title>
<link href="http://hdl.handle.net/11089/45976" rel="alternate"/>
<author>
<name>Zatora, Anna</name>
</author>
<id>http://hdl.handle.net/11089/45976</id>
<updated>2023-02-14T02:00:23Z</updated>
<published>2022-01-01T00:00:00Z</published>
<summary type="text">13. Seminarium Open Access w Bibliotece Uniwersytetu Łódzkiego 24–30 października 2022 r.
Zatora, Anna
Płuciennik, Jarosław
</summary>
<dc:date>2022-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Małgorzata Ciszewska, Szlacheckie mowy pogrzebowe — dwa ujęcia. Tradycja gatunku i realizacje Jakuba Sobieskiego, Instytut Badań Literackich PAN, Warszawa 2022, ss. 240 [recenzja]</title>
<link href="http://hdl.handle.net/11089/45975" rel="alternate"/>
<author>
<name>Kuran, Michał</name>
</author>
<id>http://hdl.handle.net/11089/45975</id>
<updated>2023-02-14T03:03:35Z</updated>
<published>2022-01-01T00:00:00Z</published>
<summary type="text">Małgorzata Ciszewska, Szlacheckie mowy pogrzebowe — dwa ujęcia. Tradycja gatunku i realizacje Jakuba Sobieskiego, Instytut Badań Literackich PAN, Warszawa 2022, ss. 240 [recenzja]
Kuran, Michał
Płuciennik, Jarosław
</summary>
<dc:date>2022-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Roma Sendyka, Poza obozem. Nie-miejsca pamięci — próba rozpoznania, Instytut Badań Literackich PAN, Warszawa 2021, ss. 365 [recenzja]</title>
<link href="http://hdl.handle.net/11089/45974" rel="alternate"/>
<author>
<name>Juchniewicz, Andrzej</name>
</author>
<id>http://hdl.handle.net/11089/45974</id>
<updated>2023-02-14T03:03:31Z</updated>
<published>2022-01-01T00:00:00Z</published>
<summary type="text">Roma Sendyka, Poza obozem. Nie-miejsca pamięci — próba rozpoznania, Instytut Badań Literackich PAN, Warszawa 2021, ss. 365 [recenzja]
Juchniewicz, Andrzej
Płuciennik, Jarosław
</summary>
<dc:date>2022-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Kto dokręca śrubę? O różnorodności interpretacji warstwy muzycznej i treści w operze Benjamina Brittena na podstawie noweli Henry’ego Jamesa</title>
<link href="http://hdl.handle.net/11089/45973" rel="alternate"/>
<author>
<name>Gabryelczak-Paprocka, Marta</name>
</author>
<id>http://hdl.handle.net/11089/45973</id>
<updated>2023-02-14T03:03:26Z</updated>
<published>2022-01-01T00:00:00Z</published>
<summary type="text">Kto dokręca śrubę? O różnorodności interpretacji warstwy muzycznej i treści w operze Benjamina Brittena na podstawie noweli Henry’ego Jamesa
Gabryelczak-Paprocka, Marta
Płuciennik, Jarosław
The essay is a reflection on the possibility of diverse interpretations of both works — The&#13;
Turn of the Screw by Henry James and the stage work of the same title composed by Benjamin&#13;
Britten. The text is divided into six parts, the introduction is placed first. The author forms&#13;
the thesis that depending on external conditions, the experiences of the viewer, everyone can&#13;
interpret the novella in a different way. On the basis of her own reflections and references to&#13;
considerations and analyses made by other scholars, she describes the various interpretative&#13;
possibilities of the work. In his reflections, he refers not only to the textual, stage and acting&#13;
layers, but also to the musical means used by Britten. The ambiguity of events, behavior and&#13;
emotions of the characters make the plot full of insinuations. The unreliability of the narrator&#13;
does not allow an objective assessment of the events described. The author also refers to social&#13;
and cultural issues related to the era in which the action of the work is set, as well as the psychology&#13;
of the characters. The author of the essay suggests that the literary work described is&#13;
a kind of psychological game conducted by the writer for the recipient of the work. He does&#13;
not give clear answers to the questions that bother the reader. Also, Britten’s opera is not, as&#13;
the author of the libretto emphasizes, an attempt to interpret the original, but to transfer the&#13;
story created by James to the musical ground. The question of the correct interpretation of&#13;
the work remains without a concrete answer, because everyone turns the screw.
</summary>
<dc:date>2022-01-01T00:00:00Z</dc:date>
</entry>
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