Język + awangarda http://hdl.handle.net/11089/40740 2026-04-06T03:47:52Z 2026-04-06T03:47:52Z Bukowiecka, Marta http://hdl.handle.net/11089/44551 2022-12-09T02:53:44Z 2019-01-01T00:00:00Z

Kontrasty, deformacje, demontaże. Literackie przetwarzanie form nieliterackich w literaturze polskiej po 1956 roku Bukowiecka, Marta Śniecikowska, Beata The text concerns the expansion of non-artistic forms of language in Polish literature after the “Polish thaw”. They are separated from real context, processed in an experimental, radical and original way and (re)used in the literary work as linguistic, ready-made objects or as a part of artistic recycling. I point out three strategies of language processing: contrasting, deforming and dismantling, which are present in works by three post avant-garde writers: Leopold Buczkowski, Tadeusz Różewicz and Miron Białoszewski. Striving for innovation and experiment, thinking of language with growing suspicion, focusing on its tendency to petrification allows their work to be seen as the continuation of modernist tendencies.

2019-01-01T00:00:00Z Śniecikowska, Beata http://hdl.handle.net/11089/44549 2022-12-09T02:53:51Z 2019-01-01T00:00:00Z

Paweł Graf, Automobil w pędzie. Studia o futuryzmie i futurystach, Wydawnictwo Naukowe Uniwersytetu Adama Mickiewicza, Poznań 2018, ss. 522 [recenzja] Śniecikowska, Beata Śniecikowska, Beata

2019-01-01T00:00:00Z Karpowicz, Agnieszka http://hdl.handle.net/11089/44548 2022-12-09T02:53:45Z 2019-01-01T00:00:00Z

Widzenie awangardy, red. Agata Stankowska, Marcin Telicki i Agata Lewandowska, „Literatura i Sztuka”, tom 5, Wydawnictwo Poznańskiego Towarzystwa Przyjaciół Nauk, Poznań 2018 [recenzja] Karpowicz, Agnieszka Śniecikowska, Beata

2019-01-01T00:00:00Z Tabaszewska, Justyna http://hdl.handle.net/11089/44546 2022-12-09T02:53:48Z 2019-01-01T00:00:00Z

Awangardowe i ariergardowe tradycje w nowej polskiej poezji na przykładzie twórczości Andrzeja Sosnowskiego Tabaszewska, Justyna Śniecikowska, Beata This article attempts to answer the question of whether we can describe contemporary poetry as avant-garde? The author recognizes problems associated with defining the avant-garde as a historical phenomenon and proposes — resorting to Marjorie Perloff ’s concepts — a new way of interpreting contemporary poetry as an arrière-garde reconstruction of avant-garde poetics. The oeuvre of Andrzej Sosnowski is analyzed as an interesting example of how the strategy of unoriginality can be incorporated into a new model of arrière-garde poetics.

2019-01-01T00:00:00Z