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<title>Zagadnienia Rodzajów Literackich 2019, t. 62, nr 3 (131)</title>
<link href="http://hdl.handle.net/11089/40738" rel="alternate"/>
<subtitle>Kwestia stylu</subtitle>
<id>http://hdl.handle.net/11089/40738</id>
<updated>2026-04-05T19:53:49Z</updated>
<dc:date>2026-04-05T19:53:49Z</dc:date>
<entry>
<title>Zagadnienia Rodzajów Literackich. Początki</title>
<link href="http://hdl.handle.net/11089/44337" rel="alternate"/>
<author>
<name>Hübner, Irena</name>
</author>
<id>http://hdl.handle.net/11089/44337</id>
<updated>2022-11-26T02:53:04Z</updated>
<published>2019-01-01T00:00:00Z</published>
<summary type="text">Zagadnienia Rodzajów Literackich. Początki
Hübner, Irena
Szajnert, Danuta
</summary>
<dc:date>2019-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Praca naukowa to wydanie umysłu na ciągły niedosyt. Listy Stefanii Skwarczyńskiej do Czesława Zgorzelskiego</title>
<link href="http://hdl.handle.net/11089/44336" rel="alternate"/>
<author>
<name>Gomóła, Anna</name>
</author>
<id>http://hdl.handle.net/11089/44336</id>
<updated>2022-11-26T02:53:12Z</updated>
<published>2019-01-01T00:00:00Z</published>
<summary type="text">Praca naukowa to wydanie umysłu na ciągły niedosyt. Listy Stefanii Skwarczyńskiej do Czesława Zgorzelskiego
Gomóła, Anna
Szajnert, Danuta
In the Library of the Catholic University of Lublin fifty seven letters and correspondence cards which Stefania Skwarczyńska sent to Czesław Zgorzelski between the years 1948–1984 are kept. They are a trace of professional contacts between scholars — documenting in an aspectual way Polish scientific life. Letters, although in a private form, concern professional matters, such as: organisation of the research institution, politics concerning employment, education of young scholars, taking part in conferences, publishing scientific works as well as their circulation. A vast part of them is dedicated to the history of establishing “Zagadnienia Rodzajów Literackich” [“The Problems of Literary Genres”].
</summary>
<dc:date>2019-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>Baśń dramatyczna − zapomniane ogniwo</title>
<link href="http://hdl.handle.net/11089/44335" rel="alternate"/>
<author>
<name>Nabiałek, Magda</name>
</author>
<id>http://hdl.handle.net/11089/44335</id>
<updated>2022-11-26T02:53:06Z</updated>
<published>2019-01-01T00:00:00Z</published>
<summary type="text">Baśń dramatyczna − zapomniane ogniwo
Nabiałek, Magda
Szajnert, Danuta
A dramatic fairy tale is the expression of a specific historical moment. At the turn of the 19th and 20th century original forms of dialogue with tradition and new ways of developing literature were searched at the same time. It seems that the dramatic tale — absent in most compendiums devoted to the literature of modernism — is one of the best examples of unstable forms that reflect in their structure the dilemmas accompanying the writing at the turn of the 19th and 20th century. What matters here is a specific type of folklore and links with the fairy-tale play and commedia dell’ arte.
</summary>
<dc:date>2019-01-01T00:00:00Z</dc:date>
</entry>
<entry>
<title>„Urodzone cytaty”. Wisława Szymborska jako aforystka</title>
<link href="http://hdl.handle.net/11089/44334" rel="alternate"/>
<author>
<name>Tarnogórska, Maria</name>
</author>
<id>http://hdl.handle.net/11089/44334</id>
<updated>2022-11-26T02:53:01Z</updated>
<published>2019-01-01T00:00:00Z</published>
<summary type="text">„Urodzone cytaty”. Wisława Szymborska jako aforystka
Tarnogórska, Maria
Szajnert, Danuta
The aim of this article is to analyze Wisława Szymborska’s literary works in order to demon-strate that her aphoristic style is one of the most striking elements of her texts. Szymborska’s style is particularly notable in that it is ironically aphoristic, containing parody of typical aphoristic schemata, paradox and tautology. Through this style, her work not only enriches the traditional repertoire of the genre but seems also to justify an important feature of her writing: its philosophical and intellectual character often discerned by critics. As a consequence, quotes from her oeuvre frequently enter diverse anthologies of ‘wise and funny thoughts’ and collections of the so-called ‘winged’ words.
</summary>
<dc:date>2019-01-01T00:00:00Z</dc:date>
</entry>
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