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<title>Qualitative Sociology Review 2014 Volume X Issue 4</title>
<link href="http://hdl.handle.net/11089/20114" rel="alternate"/>
<subtitle/>
<id>http://hdl.handle.net/11089/20114</id>
<updated>2026-04-15T00:32:37Z</updated>
<dc:date>2026-04-15T00:32:37Z</dc:date>
<entry>
<title>The War on the Wall. Polish and Soviet War Posters Anaysis</title>
<link href="http://hdl.handle.net/11089/20115" rel="alternate"/>
<author>
<name>Dymarczyk, Waldemar</name>
</author>
<id>http://hdl.handle.net/11089/20115</id>
<updated>2021-06-24T06:02:34Z</updated>
<published>2014-10-01T00:00:00Z</published>
<summary type="text">The War on the Wall. Polish and Soviet War Posters Anaysis
Dymarczyk, Waldemar
Every war is not only the fight of the armies but also a war of the ideologies. One of the forms&#13;
of the ideological war is propaganda posters. Over forty posters presented and analyzed in this&#13;
article come from the Polish-Soviet war in 1919-1921. The research work is based on grounded&#13;
theory procedures adopted for visual data analyses. Particularly useful was a method of coding&#13;
families worked out by Barney Glaser and modified to the visual data analysis by Krzysztof&#13;
Konecki. The author reconstructed several basic motifs, formal solutions, and communication&#13;
strategies (i.e., continuity and continuation versus avant-garde and revolution, image of the enemy&#13;
and “one’s own” imagination, strategic conversion) used by artists-ideologists from both&#13;
sides of the conflict.
</summary>
<dc:date>2014-10-01T00:00:00Z</dc:date>
</entry>
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