| dc.contributor.author | Szép, Eszter | |
| dc.date.accessioned | 2014-12-23T12:48:04Z | |
| dc.date.available | 2014-12-23T12:48:04Z | |
| dc.date.issued | 2014-11 | |
| dc.identifier.issn | 1641-4233 | |
| dc.identifier.other | DOI: 10.2478/ipcj-2014-0002 | |
| dc.identifier.uri | http://hdl.handle.net/11089/5981 | |
| dc.description.abstract | By applying terminology from trauma theory and a methodological
approach from comics scholarship, this essay discusses three graphic
autobiographies of women. These are A Game for Swallows by Zeina Abirached
(trans. Edward Gauvin, 2012), We are on our Own by Miriam Katin (2006), and
Persepolis by Marjane Satrapi (trans. Anjali Singh, 2004). Two issues are at the
centre of the investigation: the strategies by which these works engage in the
much-debated issues of representing gendered violence, and the representation
of the ways traumatized daughters and their mothers deal with the identity
crises caused by war. | pl_PL |
| dc.language.iso | en | pl_PL |
| dc.publisher | Lodz University Press | pl_PL |
| dc.relation.ispartofseries | 16(2014); | |
| dc.subject | Gendered violence | pl_PL |
| dc.subject | graphic narrative | pl_PL |
| dc.subject | identity | pl_PL |
| dc.subject | trauma | pl_PL |
| dc.title | Graphic Narratives of Women in War: Identity Construction in the Works of Zeina Abirached, Miriam Katin, and Marjane Satrapi | pl_PL |
| dc.type | Article | pl_PL |
| dc.page.number | 21-33 | pl_PL |
| dc.contributor.authorAffiliation | Eötvös Loránd University, | pl_PL |
| dc.identifier.eissn | 2300-8695 | |
| dc.references | Abirached, Zeina. A Game for Swallows. To Die, To Leave and To Return. Minneapolis: Graphic Universe, 2012. | pl_PL |
| dc.references | Abrams, Kathryn and Irene Kacandes. “Introduction: Witness.” Women’s Studies Quarterly 36.1&2 2008: 13-27. | pl_PL |
| dc.references | Chute, Hillary. “The Texture of Retracing in Marjane Satrapi”s Persepolis.” Women’s Studies Quarterly 36.1&2 2008: 92-110. | pl_PL |
| dc.references | Claudio, Esther. “Marjane Satrapi’s Elaborate Simplicity: Persepolis.” The Comics Grid (March, 2011) 07 Aug 2012 <blog.comicsgrid.com/2011/03/marjanesatrapis-elaborate-simplicity-persepolis>. | pl_PL |
| dc.references | Disch, Lisa and Leslie Morris. “Departures: New Feminist Perspectives on the Holocaust.” Women in German Yearbook 19 2003: 9-19. | pl_PL |
| dc.references | Doherty, Thomas. “Art Spiegelman’s Maus: Graphic Art and the Holocaust.” American Literature 68.1 1996: 69-84 | pl_PL |
| dc.references | Hatfield, Charles. Alternative Comics. An Emerging Literature. Jackson: University Press of Missisipi, 2005. | pl_PL |
| dc.references | Hirsch Marianne. “Marked by Memory: Feminist Reflections on Trauma and Transmission.” Extremities – Trauma, Testimony, Community. Eds. N. K. Miller, J. Tougaw, University of Illinois, 2002. 71-91. | pl_PL |
| dc.references | Hirsch Marianne. “Marked by Memory: Feminist Reflections on Trauma and Transmission.” Extremities – Trauma, Testimony, Community. Eds. N. K. Miller, J. Tougaw, University of Illinois, 2002. 71-91. | pl_PL |
| dc.references | Hirsch Marianne. “Surviving Images: Holocaust Photographs and the Work of Postmemory.” The Yale Journal of Criticism 14.1 2001: 5–37. | pl_PL |
| dc.references | Hirsch Marianne and Leo Spitzer. “The Witness in the Archive: Holocaust Studies / Memory Studies.” Memory Studies 2.2 2009: 151-170. | pl_PL |
| dc.references | Katin, Miriam. We Are on Our Own. Montreal: Drawn & Quarterly, 2006. | pl_PL |
| dc.references | Liebman Jacobs. “Women, Genocide, and Memory. The Ethics of Feminist Ethnography in Holocaust Research.” Gender and Society 18.2 2004: 223-238. | pl_PL |
| dc.references | McCloud, Scott. Understanding Comics–The Invisible art. New York: Harper Perennial, 1994. | pl_PL |
| dc.references | Pinchevski, Amit. “The Audiovisual Unconscious: Media and Trauma in the Video Archive for Holocaust Testimonies.” Critical Inquiry 39.1 2012: 142-166. | pl_PL |
| dc.references | Satrapi, Marjane. Persepolis. The Story of a Childhood and The Story of a Return. London: Vintage Books, 2003. | pl_PL |
| dc.references | Sontag, Susan. Regarding the Pain of Others. London: Penguin, 2003. | pl_PL |
| dc.references | Spiegelman, Art. Maus I. New York: Pantheon Books, 1986. | pl_PL |
| dc.references | Spiegelman, Art. Maus II. New York: Pantheon Books, 1986. | pl_PL |
| dc.contributor.authorEmail | eszterszep@ gmail.com | pl_PL |
