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dc.contributor.authorWielgosz, Aneta
dc.contributor.editorPłuciennik, Jarosław
dc.contributor.editorSzul, Szymon
dc.contributor.editorZatora, Anna
dc.date.accessioned2026-02-03T06:44:32Z
dc.date.available2026-02-03T06:44:32Z
dc.date.issued2025
dc.identifier.citationWielgosz, A. (2025). Postaci disneyowskie we włoskich komiksach dla dorosłych a disneyizacja — przypadki Zerocalcare i Dr. Piry. Zagadnienia Rodzajów Literackich, 68(2), 113–121. https://doi.org/10.26485/ZRL/2025/68.2/5pl_PL
dc.identifier.issn0084-4446
dc.identifier.urihttp://hdl.handle.net/11089/57403
dc.description.abstractIn this article, I analyze the use of characters from Disney comics and films for children in contemporary Italian comics for the adult public by two authors: Zerocalcare and Dr. Pira. I aim to describe the purposes of the use of these characters and to establish whether the comics in which they are used are an example of disneyization or an example of its criticism. In Italy, Disney has a particular cultural position, due to the enormous popularity of Disney comics and films. The use of Disney characters has a history in Italian underground comics. My analysis is based both on formal comics analysis and on a cultural approach to comics. I refer also to analysis of disneyization by Alan Bryman and Dario Bonifacio. As shown in the article, the common purpose for which comic authors use Disney characters is to establish a community of experience with their readers. They also use these characters for comical purposes, mostly based on the contrast between adult content and childlike form. In these comics there are some elements of disneyization (especially in Zerocalcare), however there are also elements of criticism towards Disney and disneyization. Zerocalcare openly criticizes values present in Disney’s comics and Dr. Pira resists disneyization by negating Disney’s language.pl_PL
dc.language.isoplpl_PL
dc.publisherŁódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiegopl_PL
dc.relation.ispartofseriesZagadnienia Rodzajów Literackich;2
dc.rightsUznanie autorstwa 4.0 Międzynarodowe*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/*
dc.subjectcomics studiespl_PL
dc.subjectDisneyizationpl_PL
dc.subjectgraphic novelpl_PL
dc.subjectZerocalcarepl_PL
dc.subjectDr. Pirapl_PL
dc.titlePostaci disneyowskie we włoskich komiksach dla dorosłych a disneyizacja — przypadki Zerocalcare i Dr. Pirypl_PL
dc.title.alternativeDisney Characters in Italian Adult Comics and Disneyization: The Cases of Zerocalcare and Dr. Pirapl_PL
dc.typeArticlepl_PL
dc.page.number113-121pl_PL
dc.contributor.authorAffiliationUniwersytet Warszawski, Wydział Neofilologii, Katedra Italianistykipl_PL
dc.identifier.eissn2451-0335
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dc.referencesDr. Pira (2020), Topo e Papero fanno le avventure, Feltrinelli Comics, Mediolan.pl_PL
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dc.referencesKjeldgaard-Christiansen Jens, Sarah Helene Schmidt (2019), Disney’s Shifting Visions of Villainy from the 1990s to the 2010s: A Biocultural Analysis, „Evolutionary Studies in Imaginative Culture” t. 3, nr 2, DOI: 10.26613/esic.3.2.140.pl_PL
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dc.referencesZerocalcare (2012), Trenitaja, www.zerocalcare.net/storie-a-fumetti/trenitaja [dostęp: 15.09.2025].pl_PL
dc.referencesZerocalcare (2013), Il demone dell’inadempienza, www.zerocalcare.net/storie-a-fumetti/il-demone- dellinadempienza [dostęp: 15.09.2025].pl_PL
dc.referencesZerocalcare (2017), Un polpo alla gola, Bao Publishing, Mediolan.pl_PL
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dc.referencesZerocalcare (2023b), Enciclopedia calcarea, Bao Publishing, Mediolan.pl_PL
dc.identifier.doi10.26485/ZRL/2025/68.2/5
dc.relation.volume68pl_PL
dc.disciplineliteraturoznawstwopl_PL
dc.disciplinenauki o komunikacji społecznej i mediachpl_PL
dc.disciplinenauki o kulturze i religiipl_PL


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