Wyświetlanie pozycji 21-30 z 30

    • Co widzisz? "Profesor" Johna Katzenbacha jako horror psychologiczny. Kilka uwag 

      Gemra, Anna (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2025)
      John Katzenbach’s novel — What comes next (2010) — does not seem to be a horror, because it tells a crime story: the kidnapping, imprisonment of a teenager, and the creation and sharing of an Internet series with the ...
    • Audialny wymiar grozy we wczesnej prozie Jakuba Małeckiego 

      Kurkiewicz, Marek ORCID (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2025)
      A horror story, a genre whose primary role is to instill fear in its audience, uses a variety of methods to achieve its goal. One of these is the skillful building of a mood using the acoustic plane. The following article ...
    • Zbrodnia w afekcie. Afektywny potencjał figury wampira-seryjnego mordercy w prozie Tadeusza Konwickiego 

      Piskorska, Jadwiga ORCID (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2025)
      The article analyzes the figure of the vampire-lust-murderer in the works of Tadeusz Konwicki, focusing on the novels Nic albo nic (1971) and Rzeka podziemna, podziemne ptaki (1984). The figure is set in the social and ...
    • Rethinking Terror and Horror with Plato, Aristotle, and Shakespeare 

      Mydla, Jacek (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2025)
      This article addresses a blank spot in Gothic studies and in studies of ways in which literature purveys terror, horror, and fear. In the last decades, Gothic studies, including Jacek Mydla’s book, have broadened their ...
    • Dracula Meets the Music Video 

      Fisiak, Tomasz ORCID (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2025)
      The following article will attempt to establish an intertextual link between one of the seminal examples of Gothic literature, i.e., Bram Stoker’s Dracula (1897), and the still relatively new medium of music video. To ...
    • A Milestone in the Field of Dracula Studies: Elizabeth Miller and the Perception of History in Bram Stoker’s Vampire Novel 

      Crisan, Marius-Mircea ORCID (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2025)
      This paper starts with a short overview of the critical reception of Bram Stoker’s novel Dracula and focuses its investigation on the role of the Canadian professor Elizabeth Russell Miller (16 February 1939 — 2 January ...
    • Haunted Sketches: Analyzing the Foundations of Horror in Early Works by Tove Jansson and Walt Disney 

      Płuciennik, Jarosław ORCID; Suvilehto, Pirjo ORCID (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2025)
      This article explores the early artistic influences and beginnings of Tove Jansson and Walt Disney, focusing on their works’ gothic and surreal elements. Both Jansson and Disney are renowned for their contributions to ...
    • Wpływ anglojęzycznych tłumaczeń literatury grozy w 1990–1995 na kształtujące się po 1989 roku polskie realizacje gatunku 

      Mazurkiewicz, Adam ORCID (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2025)
      The article is devoted to the formation of a new horizon of expectations towards horror literature, which appeared on the literary market and was influenced by translations between the years 1989–1995. At the same time, ...
    • "Weird fiction" a horror. Uwagi terminologiczno-genologiczne 

      Poniatyszyn, Kajetan ORCID (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2025)
      The two complementary aims of this article are a terminological and genological analysis of weird fiction, as well as the identification of similarities and differences between this genre and horror in cognitive-aesthetic, ...
    • Horror jako gatunek transmedialny — prolegomena 

      Zatora, Anna ORCID; Staszenko-Chojnacka, Dominika ORCID (Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego, 2025)
      The article is an introduction to the exploration of horror as a transmedia genre. Contemporary horror is growing in popularity and functions in various media: literature, film, video games, streaming platforms, comics, ...