Pokaż uproszczony rekord

Looking for Cosy in All the Wrong Places. Cosiness and Tamed Sublime of "No Man’s Sky"

dc.contributor.authorGnat, Tomasz
dc.date.accessioned2024-12-09T06:54:22Z
dc.date.available2024-12-09T06:54:22Z
dc.date.issued2024-11-29
dc.identifier.issn2391-8551
dc.identifier.urihttp://hdl.handle.net/11089/53935
dc.description.abstractIn this article, I argue that some games may elicit cosy sentiments even if they are centred on a premise not usually associated with cosiness – for example the infinity of the universe. They do so not by a fluke, and cosy spaces in these games do not only appear as designated spaces apart. Evoking a cosy feeling is done by specific game mechanics or design choices, “taming” the sublime premise of the game discussed. The architecture and mechanics of this unexpected cosiness may offer a new look at the fringe cases of cosy aesthetics, perhaps broadening the understanding of this phenomenon.en
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesReplay. The Polish Journal of Game Studies;1en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectgame studiesen
dc.subjectcosyen
dc.subjectsublimeen
dc.subjectretrofuturismen
dc.subjectspatial aestheticen
dc.titleLooking for Cosy in All the Wrong Places. Cosiness and Tamed Sublime of "No Man’s Sky"en
dc.typeArticle
dc.page.number23-40
dc.contributor.authorAffiliationUniversity of Silesia in Katowiceen
dc.identifier.eissn2449-8394
dc.referencesAllen, I. (Director). (1965–1968). Lost in Space. CBS.en
dc.referencesBetts, T. (2014). An Investigation of the Digital Sublime in Video Game Production [Doctoral dissertation, University of Huddersfield]. Huddersfield Repository. https://eprints.hud.ac.uk/id/eprint/25020/en
dc.referencesCarpenter, J. (2022). The Aesthetics of Human-Machine Interaction: Generative Textuality in Hello Games’s No Man’s Sky. Journal of Aesthetics and Phenomenology, 9(2), 173–190. https://www.tandfonline.com/doi/abs/10.1080/20539320.2022.2150464en
dc.referencesCastania, G. (2022, September 16). Best Cozy Games On Steam. TheGamer. https://www.thegamer.com/steam-pc-best-cozy-games/#journey (accessed on March 6, 2024).en
dc.referencesClark, K.E. (2022). Unravelling Narratives of Empire in No Man’s Sky. Przegląd Kulturoznawczy, 54(4), 585–598. https://doi.org/10.4467/20843860PK.22.039.17093en
dc.referencesEncheva, L. (2018). Flow, Freedom, and the Gamified Sublime. In: T. Trifonova (Ed.), Contemporary Visual Culture and the Sublime (pp. 131–141). Routledge.en
dc.referencesExpedition Seven: Leviathan. (2022, May 25). No Man’s Sky. https://www.nomanssky.com/2022/05/expedition-seven-leviathan/ (accessed on March 6, 2024).en
dc.referencesFedorova, K. (2018). The Ambiguity Effects of the Techno-Sublime. In: T. Trifonova (Ed.), Contemporary Visual Culture and the Sublime (pp. 142–150). Routledge.en
dc.referencesFraser, E. (2016). Awakening in Ruins: The Virtual Spectacle of the End of the City in Video Games. Journal of Gaming & Virtual Worlds, 8(2), 177–196. https://doi.org/10.1386/jgvw.8.2.177_1en
dc.referencesGibson, W. (1988). The Gernsback Continuum. Invention & Technology, 4(1). https://www.inventionandtech.com/content/gernsback-continuum-1 (accessed on March 6, 2024).en
dc.referencesGodbey, E. (2014). Speed and Destruction at the Fair. In: J. Miller, M. Howell (Eds.), Motorsports and American Culture: From Demolition Derbies to NASCAR (pp. 39–51). Rowman & Littlefield Publishers.en
dc.referencesHiggins, C. (2014). No Man’s Sky Would Take 5 Billion Years to Explore. Wired UK. https://www.wired.co.uk/article/no-mans-sky-planets (accessed on March 6, 2024).en
dc.referencesHobby, B., & Bloom, H. (Eds.) (2010). The Sublime. Chelsea House Publishers.en
dc.referencesHodges, M. (Director). (1980). Flash Gordon. Universal Pictures.en
dc.referencesJenkins, H. (2003). Game Design as Narrative Architecture. Polish Association for American Studies. https://paas.org.pl/wp-content/uploads/2012/12/09.-Henry-Jenkins-Game-Design-As-Narrative-Architecture.pdf (accessed on March 6, 2024).en
dc.referencesJuul, J. (2010). In Search of Lost Time: On Game Goals and Failure Costs. FDG ‘10: Proceedings of the Fifth International Conference on the Foundations of Digital Games. Association for Computing Machinery. https://doi.org/10.1145/1822348.1822360en
dc.referencesKain, E. (2016, August 20). “No Man’s Sky” Review: Dead Space. Forbes. https://www.forbes.com/sites/games/2016/08/20/no-mans-sky-review-dead-space/ (accessed on March 6, 2024).en
dc.referencesLatham, R. (Ed.) (2014). The Oxford Handbook of Science Fiction. Oxford University Press.en
dc.referencesMachkovech, S. (2016, August 15). No Man’s Sky Review: Total Eclipse of the Galaxy’s Heart. Ars Technica. https://arstechnica.com/gaming/2016/08/no-mans-sky-review-total-eclipse-of-the-galaxys-heart/ (accessed on March 6, 2024).en
dc.referencesMartin, P. (2011). The Pastoral and the Sublime in Elder Scrolls IV: Oblivion. Game Studies, 11(3).en
dc.referencesNgai, S. (2009). Ugly Feelings. Harvard University Press.en
dc.referencesReinhard, A. (2021). Archeology of Abandoned Human Settlements in No Man’s Sky: A New Approach to Recording and Preserving User-Generated Content in Digital Games. Games and Culture, 16(7), 855–884. https://doi.org/10.1177/15554120211005236en
dc.referencesSalen, K., & Zimmerman, E. (2004). Rules of Play: Game Design Fundamentals. The MIT Press.en
dc.referencesShaw, P. (2006). The Sublime. Routledge.en
dc.referencesShinkle, E. (2012). Videogames and the Digital Sublime. In: A. Karatzogianni & A. Kunstman (Eds.), Digital Cultures and the Politics of Emotion: Feelings, Affect and Technological Change (pp. 94–108). Palgrave Macmillan UK.en
dc.referencesShort, T.X., Ordon, A., Hurd, D., Howe, C., Forbes, J., Eiserloh, S., Diaz, J., Cook, D, & Meiners, R. (2018, January 24). Cozy games. Lostgarden. https://lostgarden.home.blog/2018/01/24/cozy-games/ (accessed on March 6, 2024).en
dc.referencesSmith, A. (2012, March 12). Life Flashing By: Dys4ia. Rock, Paper, Shotgun. https://www.rockpapershotgun.com/life-flashing-by-dys4ia (accessed on March 6, 2024).en
dc.referencesSpokes, M. (2020). Gaming and The Virtual Sublime: Rhetoric, Awe, Fear, and Death in Contemporary Video Games. Emerald Publishing Limited.en
dc.referencesStuart, K. (2016, August 19). No Man’s Sky is Elite for the 21st century. Pointless? Maybe – but also sublime. The Guardian. https://www.theguardian.com/technology/2016/aug/19/no-mans-sky-elite (accessed on March 6, 2024).en
dc.referencesSullivan, A., Stanfill, M., & Salter, A. (2023). The Constraints of Cozy Games: Boyfriend Dungeon and Consent in Queer Play. In: P. Lopes, F. Luz, A. Liapis, & H. Engström (Eds.), FDG ‘23: Proceedings of the 18th International Conference on the Foundations of Digital Games. Association for Computing Machinery. https://doi.org/10.1145/3582437.3582452en
dc.referencesSwink, S. (2017). Game Feel: A Game Designer’s Guide to Virtual Sensation. CRC Press.en
dc.referencesTrifonova, T. (2018). Of Fake and Real Sublimes. In: T. Trifonova (Ed.), Contemporary Visual Culture and the Sublime (pp. 74–87). Routledge.en
dc.referencesVella, D. (2015). No Mastery without Mystery: Dark Souls and the Ludic Sublime. Game Studies, 15(1).en
dc.referencesWarr, P. (2015, July 7). No Man’s Sky Interview: Sean Murray Vs The Hype Train. Rock, Paper, Shotgun. https://www.rockpapershotgun.com/no-mans-sky-interview (accessed on March 6, 2024).en
dc.referencesWaszkiewicz, A., & Bakun, M. (2020). Towards the Aesthetics of Cozy Video Games. Journal of Gaming & Virtual Worlds, 12(3), 225–240. https://doi.org/10.1386/jgvw_00017_1en
dc.referencesZagal, J., Debus, M., & Cardona-Rivera, R. (2019, October 21–25). On the Ultimate Goals of Games: Winning, Finishing, and Prolonging. The 13th International Philosophy of Computer Games Conference, Petersburg, Russia. http://rogel.io/content/2-publications/zagal2019ultimate.pdfen
dc.referencesAnthropy, A. (2012). Dys4ia. Newgrounds.en
dc.referencesBlizzard Entertainment. (2014). Hearthstone. Blizzard Entertainment.en
dc.referencesCCP Games. (2003). EVE Online. CCP Games.en
dc.referencesCloud Imperium Games. (TBA). Star Citizen. Cloud Imperium Games.en
dc.referencesConcernedApe. (2016). Stardew Valley. Chucklefish.en
dc.referencesEgosoft. (2018). X4: Foundations. Egosoften
dc.referencesFox, T. (2015). Undertale. World: Toby Fox.en
dc.referencesFromSoftware. (2014). Dark Souls II. Bandai Namco, FromSoftware.en
dc.referencesFrontier Dev UK. (2015). Elite Dangerous. Frontier Developments.en
dc.referencesHello Games. (2016). No Man’s Sky. Hello Gamesen
dc.referencesInfinite Fall. (2017). Night in the Woods. Finji.en
dc.referencesKitfox Games. (2021). Boyfriend Dungeon. Kitfox Gamesen
dc.referencesOrigin Systems. (1993). Wing Commander: Privateer. Origin Systems, Electronic Arts.en
dc.referencesRe-Logic. (2011). Terraria. Re-Logic.en
dc.contributor.authorEmailtomasz.gnat@us.edu.pl
dc.identifier.doi10.18778/2391-8551.12.03
dc.relation.volume12


Pliki tej pozycji

Thumbnail
Nazwa:
23-40_Gnat.pdf
Rozmiar:
877.8KB
Format:
PDF
Oglądaj/Otwórz

Pozycja umieszczona jest w następujących kolekcjach

Pokaż uproszczony rekord

https://creativecommons.org/licenses/by-nc-nd/4.0
Poza zaznaczonymi wyjątkami, licencja tej pozycji opisana jest jako https://creativecommons.org/licenses/by-nc-nd/4.0