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dc.contributor.authorRyoo, Gi Taek
dc.date.accessioned2023-12-29T17:36:27Z
dc.date.available2023-12-29T17:36:27Z
dc.date.issued2023-12-20
dc.identifier.issn2083-2931
dc.identifier.urihttp://hdl.handle.net/11089/48967
dc.description.abstractJorie Graham’s Sea Change (2008) addresses the environmental crisis engendered by climate change, sending us a dire warning of the end of humanity by featuring an apocalyptic world. Sea Change gives a poetic voice to the dynamics of climate change by embodying the catastrophe in linguistic forms and thus enabling us to experience the ecological crisis. For Graham, poetic imagination is an act of physical or bodily engagement as it brings together linguistic and emotional factors into an embodied performance. This paper explores the affective dimension of Graham’s experimental poetry to demonstrate how her radical ecopoetics allows us to (re)engage with the material world, and how it changes our perceptual and sensorial registers to awaken our sense of interconnectedness with nonhuman others.en
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesText Matters: A Journal of Literature, Theory and Culture;13en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectJorie Grahamen
dc.subjectSea Changeen
dc.subjectapocalypseen
dc.subjectecopoeticsen
dc.subjectemotionen
dc.subjectlyricen
dc.titleRadical Ecopoetics: The Apocalyptic Vision of Jorie Graham’s Sea Changeen
dc.typeArticle
dc.page.number92-108
dc.contributor.authorAffiliationChungbuk National University, Koreaen
dc.identifier.eissn2084-574X
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dc.contributor.authorEmailgtryoo@chungbuk.ac.kr
dc.identifier.doi10.18778/2083-2931.13.05


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