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dc.contributor.authorTaquet, David
dc.contributor.editorSasin, Eliza
dc.contributor.editorStaroń, Anita
dc.date.accessioned2023-04-05T11:02:12Z
dc.date.available2023-04-05T11:02:12Z
dc.date.issued2023
dc.identifier.citationTaquet D., Tradition et modernité chez Neil Gaiman : le cas de American Gods et Good Omens, [w:] Kontrasty w humanistyce: literatura, język, kultura / Les contrastes dans les humanités : littérature, langue, culture, E. Sasin, A. Staroń (red.), WUŁ, Łódź 2023, https://doi.org/10.18778/8331-126-5.10pl_PL
dc.identifier.isbn978-83-8331-126-5
dc.identifier.urihttp://hdl.handle.net/11089/46643
dc.description.abstractStructuring the stories of Neil Gaiman’s American Gods (2001) and Good Omens (1990), which he wrote in collaboration with Terry Pratchett, the contrasts between tradition and modernity are declared on several levels: the relationship between deities and technological advances, the preservation of traditional values in the idyllic small-town setting, as well as Neil Gaiman’s willingness to modernize the original works to fit current societal values. These apparent contrasts sometimes find a peaceful resolution, offering readers a welcome synthesis that encourages acceptance of modernity despite the sacrifices that must be made.pl_PL
dc.language.isofrpl_PL
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl_PL
dc.relation.ispartofKontrasty w humanistyce: literatura, język, kultura / Les contrastes dans les humanités : littérature, langue, culture;
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectFantasypl_PL
dc.subjectMythologypl_PL
dc.subjectNeil Gaimanpl_PL
dc.subjectTerry Pratchettpl_PL
dc.subjectTransmedialitypl_PL
dc.titleTradition et modernité chez Neil Gaiman : le cas de American Gods et Good Omenspl_PL
dc.typeBook chapterpl_PL
dc.page.number119-132pl_PL
dc.contributor.authorAffiliationNational Institute of Technology, Hakodate Collegepl_PL
dc.identifier.eisbn978-83-8331-127-2
dc.referencesBender, Hy et Gaiman, Neil, The Sandman Companion, New York, DC Comics, 1999pl_PL
dc.referencesCarroll, Siobhan, “Imagined Nation: Place and National Identity in Neil Gaiman’s American Gods”, Extrapolation, 2012, vol. 53, n° 3, p. 307–26pl_PL
dc.referencesClemons, Amy Lea, “Adapting Revelation: Good Omens as Comic Corrective”, Journal of the Fantastic in the Arts, 2017, vol 28, n° 1, p. 86–101pl_PL
dc.referencesGaiman, Neil, American Gods: The Tenth Anniversary Edition: A Novel, William Morrow, 2011pl_PL
dc.referencesGaiman, Neil, [Neil ; Himself]. (2021, 29 mai). Neil Gaiman on [Twitter]. Twitter. https://twitter.com/neilhimself/status/1398500390912413698,consulté le 02.11.2021pl_PL
dc.referencesGaiman, Neil et Pratchett, Terry, Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch, William Morrow, 2006pl_PL
dc.referencesHaas, Lidiya et Gaiman, Neil, “Good Omens feels more apt now than it did 30 years ago”, The Guardian. https://www.theguardian.com/books/2019/may/24/neil-gaiman-interview-good-omens, consulté le 24.09.2021pl_PL
dc.referencesHill, Joe, préface, in N. Gaiman, The Sandman Vol. 8: World’s End 30th Anniversary Edition, Vertigo, 2019pl_PL
dc.referencesLa Jeunesse, Jake, “Locating Lakeside, Wisconsin: Neil Gaiman’s American Gods and the American Small-Town Utopia”, Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature, 2016, vol. 35, n° 129, p. 45–64pl_PL
dc.referencesLe Dictionnaire Robert, « Idole », https://dictionnaire.lerobert.com/definition/idole, consulté le 04.11.2021pl_PL
dc.referencesSleigh, Graham, « Fantasy of Religion », in The Cambridge Companion to Fantasy Literature, éd. E. James et F. Mendlesohn, Cambridge University Press, 2012, p. 248-256pl_PL
dc.contributor.authorEmaildtaquet@hakodate-ct.ac.jppl_PL
dc.identifier.doi10.18778/8331-126-5.10


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