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dc.contributor.authorPujol Duran, Jèssica
dc.contributor.editorGałkowski, Artur
dc.date.accessioned2023-03-15T09:38:51Z
dc.date.available2023-03-15T09:38:51Z
dc.date.issued2015
dc.identifier.issn0084-4446
dc.identifier.urihttp://hdl.handle.net/11089/46255
dc.description.abstractIn this paper I analyse the results of a paradigmatic shift in the history of experimental writing. Drawing from the historiographical structure of natural sciences proposed by Thomas S. Kuhn in The Structure of Scientific Revolutions (1962), I read Umberto Eco’s theory of the ‘open work’ as a narrativisation of that shift or ‘change of paradigm’. In The Open Work (1962) Eco reads James Joyce’s Ulysses (1922) as a watershed for Western history. Joyce’s writing, according to Eco, offered a successful response to the European context of the 1920s that would change the experience of reading and writing forever, as well as the understanding of literary experimentation. This Joycean shift becomes apparent in the 1960s, when experimental publications by authors such as Italo Calvino, Julio Cortázar, Bryan Stanley Johnson and Georges Perec indicate that something characteristic was shared under this new paradigm; something that I call an experimentalism.pl_PL
dc.language.isoenpl_PL
dc.publisherŁódzkie Towarzystwo Naukowepl_PL
dc.relation.ispartofseriesZagadnienia Rodzajów Literackich;2
dc.subjectexperimentalismpl_PL
dc.subjectnew paradigmpl_PL
dc.subjectUmberto Ecopl_PL
dc.subjectopen workpl_PL
dc.subjectmodel readerpl_PL
dc.subject1960spl_PL
dc.titleUmberto Eco’s New Paradigm and Experimentalism in the 1960spl_PL
dc.typeArticlepl_PL
dc.page.number51-61pl_PL
dc.contributor.authorAffiliationUniversity College London, Centre for Multidisciplinary and Intercultural Inquirypl_PL
dc.identifier.eissn2451-0335
dc.referencesCaesar Michael (1999), Umberto Eco. Philosophy, Semiotics and the Work of Fiction, Polity, Cambridge.pl_PL
dc.referencesCortázar Julio (1984), Rayuela, ed. A. Amorós, Cátedra, Madrid.pl_PL
dc.referencesCalvino Italo (1994), Il castello dei destini incrociati, Mondadori, Milan.pl_PL
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dc.referencesEco Umberto (1962), Opera Aperta, Tascabili Bompiani, Milan.pl_PL
dc.referencesEco Umberto (1984), The Role of the Reader, Indiana U.P., Bloomington.pl_PL
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dc.referencesEco Umberto (2010), Lector in Fabula, Tascabili Bompiani, Milan.pl_PL
dc.referencesGilbert Stuart (1955), James Joyce’s “Ulysses”, Vintage Books, New York.pl_PL
dc.referencesJohnson Bryan Stanley (2008), The Unfortunates, New Directions, New York.pl_PL
dc.referencesJoyce James (1992), A Portrait of the Artist as a Young Man, Penguin, London.pl_PL
dc.referencesJoyce James (2000), Ulysses, Penguin, London.pl_PL
dc.referencesJoyce James (2012), Finnegans Wake, Wordsworth Editions, Ware.pl_PL
dc.referencesKuhn Thomas S. (1962), The Structure of Scientific Revolutions, The University of Chicago Press, Chicago.pl_PL
dc.referencesPerec Georges (2008), A Void, Vintage, London.pl_PL
dc.referencesPicchione John (2004), The New Avant-Garde in Italy. Theoretical Debate and Poetic Practices, University of Toronto Press, Toronto.pl_PL
dc.referencesRobey David (1989), Introduction [in:] U. Eco, The Open Work, Harvard U.P., Cambridge.pl_PL
dc.relation.volume58pl_PL
dc.disciplineliteraturoznawstwopl_PL


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