O wyobrażeniach kulturowych i percepcyjnych w monografiach Stefanii Skwarczyńskiej. Czego możemy dowiedzieć się od romantyków?
Streszczenie
The article deals with the problem of the literary image presented in the research by Stefania
Skwarczyńska. The conception of the ‘image chains’ [polish: ‘łańcuchy obrazowe’] is analysed
in Skwarczyńska’s theoretical works and monographs about J. Słowacki and A. Mickiewicz.
The author argues that the Polish theorist’s conception of a literary image is shaped by the impact
of two complementary media lines. The first is the meaning of the static and petrified in
language formula of culture tradition. The other, is the problem of visual perception. Romanticism
is interpreted as a general example of this process in Skwarczyńska’s monographies. The
reference of the “isomorphism” notion by R. Arnheim is used to explain how Skwarczyńska’s
works present this process of shaping literary image. The artistic categories of a colour and
shape and the emotional aspects of poetic language are presented as the predominant problems
for Skwarczyńska’s theory. These elementary aspects of poetic language can be interpreted
as the phenomena that represents the activity of observation. The author reveals how these
selected categories let Skwarczyńska construct the preliminary aspects of the visual problems
of contemporary culture. Such theoretical perspectives, as observed in the works of the Polish
theorist, results in Romanticism appearing as an example of a new way of seeing which results
in aesthetic and perceptual changes in contemporary culture. Thus, Romanticism is shown as
the example that leads Skwarczyńska to elaborate on the concept of “applied literature” as well.
It shows how her theoretic take is linked to the description of culture changes or non-linguistic
perception and the cultural phenomena of the likes of photography and film.
Collections
Z tą pozycją powiązane są następujące pliki licencyjne: