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The art presence of videogames

dc.contributor.authorProkopek, Aleksandra
dc.date.accessioned2023-02-13T09:17:41Z
dc.date.available2023-02-13T09:17:41Z
dc.date.issued2023-01-30
dc.identifier.issn2391-8551
dc.identifier.urihttp://hdl.handle.net/11089/45930
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesReplay. The Polish Journal of Game Studies;1en
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.titleThe art presence of videogamesen
dc.typeOther
dc.page.number7-16
dc.contributor.authorAffiliationDoctoral School in Humanities, Jagiellonian University in Cracowen
dc.identifier.eissn2449-8394
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dc.referencesEbert, R. (2010a). Video games can never be art. https://www.rogerebert.com/roger-ebert/video-games-can-never-be-art (accessed on December 17, 2022).en
dc.referencesEbert, R. (2010b). Okay, kids, play on my lawn. https://www.rogerebert.com/roger-ebert/okay-kids-play-on-my-lawn (accessed on December 17, 2022).en
dc.referencesFisher, M. (2009). Capitalist Realism: Is There No Alternative? O Books.en
dc.referencesFlanagan, M. (2009). Critical Play: Radical Game Design. MIT Press.en
dc.referencesFron, J., Fullerton, T., Morie, J.F., & Pearce, C. (2007). The Hegemony Of Play. In DiGRA ‘07 – Proceedings of the 2007 DiGRA International Conference: Situated Play (pp. 309–318). http://www.digra.org/digital-library/publications/the-hegemony-ofplay/ (accessed on December 17, 2022).en
dc.referencesHarvey, A. & Samyn, M. (2010). Over Games. https://tale-of-tales.com/tales/Over-Games.html (accessed on December 17, 2022).en
dc.referencesHolmes, T. (2003). Arcade Classics Spawn Art? Current Trends in the Art Game Genre. In MelbourneDAC. Proceedings of the 5th International Digital Arts and Culture (pp. 46–52). RMIT School of Applied Communication.en
dc.referencesMajkowski, T.Z. (2019). Języki gropowieści: studia o różnojęzyczności gier cyfrowych. Kraków: Wydawnictwo Uniwersytetu Jagiellońskiego.en
dc.referencesNewman, M.Z. (2018). Atari Age: The Emergence of Video Games in America. MIT Press.en
dc.referencesPolansky, L. (2016). Towards an Art History for Videogames. Rhizome. https://rhizome.org/editorial/2016/aug/03/an-art-history-for-videogames/ (accessed on December 17, 2022).en
dc.referencesPope, L. (2013). Papers, Please [PC]. 3909 LLC.en
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dc.referencesRuberg, B. (2020). The Queer Games Avant-Garde: How LGBTQ Game Makers Are Reimagining the Medium of Video Games. Duke University Press Books.en
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dc.referencesSell, M. (2019). Modernist Afterlives In Performance – Playing the Avant-Garde: The Aesthetics, Narratives, and Communities of Video Game Vanguards. https://modernismmodernity.org/articles/playing-avant-garde (accessed on December 17, 2022).en
dc.referencesSharp, J. (2015). Works of Game. On the Aesthetics of Games and Art. MIT Press.en
dc.referencesSlovin, R. (2009). Hot Circuits. Reflections on the first museum retrospective of the video arcade game. http://www.movingimagesource.us/articles/hot-circuits-20090115 (accessed on December 17, 2022).en
dc.referencesTavinor, G. (2009). The Art of Videogames. Wiley-Blackwell.en
dc.referencesVideo Games Player (1983). 1983 Golden Joystick Awards. Video Games Player, vol. 2, no. 1. https://archive.org/details/Video_Games_Player_Vol_2_No_1_1983-09_Carnegie_Publications_US/page/n47/mode/2up (accessed on December 17, 2022).en
dc.referencesZabala, S. (2019). Why Only Art Can Save Us. Columbia University Press.en
dc.contributor.authorEmailaleksandra.prokopek@doctoral.uj.edu.pl
dc.identifier.doi10.18778/2391-8551.08.00
dc.relation.volume8


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