| dc.description.abstract | The article presents a genological criticism on the example of the Polish nationalist poetry
of the thirties. The author, on the basis of journalism and poems, shows the geneological
reflection as a variant of an ideological discourse of the radical right wing, a position of
lyric and epic, as political constructors. Poets of this trend describe a poetry as an equivalent
of a democratic “style of thinking", while lyricism (e.g. a distinctive loneliness of a
person) is understood as one of the attitudes of a democratic style of thinking, which is
criticized and opposed. Positive response to the democratic lyrics is the “Polish nationalist
poetry", according to them − authentic and real − showing the whole potential of a national
word − the ideal language, in which the right−wing totalitarianism − was to
terminate the national points of the totalitarian discourse and the Polish pre−war
nationalism (the myth of the Great Poland, the imperialism, the exclusion of strangers and
enemies of the nation). The text shows how the totalitarian ideology, hitting the literary
form and by rebuilding the theoretical−existing standards, makes them one more platform
of totalitarian propaganda, separating both our and their world, while people are divided
into ours and strangers. | pl_PL |
