| dc.description.abstract | In the twentieth century, the concept of Eastern Europe gained strong political connotations.
Therefore, the question arises, if its culture and art are also performed in this
manner? Marked by the Warsaw Pact and the Berlin Wall, the art became political,
allusive, and ambiguous. This, however, lasted only until 1990. What changes have
appeared after the fall of the eastern bloc? Has the art, so far hidden behind the Iron
Curtain, opened itself for Western Europe and the rest of the world? How has it begun to
derive from and use the past myths in order to analyze the present situation? Polish and
German theater of the last eighteen years, which influence one another in a resonance
manner, in my opinion serve as examples of political art. My presentation aims at showing
the mechanisms of functioning of contemporary political theater that is not propaganda,
but rather a part of contemporary aesthetics. The research made by French philosopher,
Jacques Ranciére, proves that nowadays we do not separate political and art
sphere, but we treat them as concurrent. Politics has a significant aesthetic dimension and
provides a common background to what is given and possible also in theatre. | pl_PL |
