dc.contributor.author | Przybyszewska, Agnieszka | |
dc.date.accessioned | 2022-11-17T10:44:18Z | |
dc.date.available | 2022-11-17T10:44:18Z | |
dc.date.issued | 2019 | |
dc.identifier.issn | 0084-4446 | |
dc.identifier.uri | http://hdl.handle.net/11089/44197 | |
dc.language.iso | es | pl_PL |
dc.publisher | Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego | pl_PL |
dc.relation.ispartofseries | Zagadnienia Rodzajów Literackich;4 | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.title | José Aburto Zolezzi: el autor en busca de la interfaz literaria ideal | pl_PL |
dc.type | Other | pl_PL |
dc.page.number | 119-130 | pl_PL |
dc.contributor.authorAffiliation | Uniwersytet Łódzki, Katedra Teorii Literatury, Instytut Kultury Współczesnej | pl_PL |
dc.identifier.eissn | 2451-0335 | |
dc.references | Aburto Zolezzi José (s. a. a), Hiperpoesía ¿El soporte determinará el contenido?, http://www.arte-digitalcuba.cult.cu/6salon/pdf/jose%20aburto%20peru.pdf [20.05.2018]. | pl_PL |
dc.references | Aarseth Espen (1997), Cybertext. Perspectives on Ergodic Literature, The Johns Hopkins UP, Baltimore–London. | pl_PL |
dc.references | Angel Maria, Gibbs Anna (2013), At the Time of Writing: Digital Media, Gesture, and Han¬dwriting, “Electronic Book Review”, 30.08., http://www.electronicbookreview.com/thread/ electropoetics/gesture [1.11.2013]. | pl_PL |
dc.references | Bazarnik Katarzyna (2016), Liberature. A Book-bound Genre, Jagiellonian UP, Kraków. | pl_PL |
dc.references | Bouchardon Serge (2014), Figures of Gestural Manipulation in Digital Fictions [en:] Analizing Digital Fiction, eds. Bell A., Ensslin A., Rustad H.K., Routledge, New York. | pl_PL |
dc.references | Bouchardon Serge (2018), Toward Gestural Specificity in Digital Literature, “Electronic Book Review”, 12.02.2018, http://electronicbookreview.com/essay/towards-gestural-specificity-in-digital-literature/ [20.04.2018]. | pl_PL |
dc.references | Drucker Johanna (2011), Humanities Approaches to Interface Theory, “Culture Machine”, no 12. | pl_PL |
dc.references | Emerson Lori (2014), Reading Writing Interfaces. From the Digital to the Bookbound, University of Minesota Press, Minneapolis–London. | pl_PL |
dc.references | Ensslin Astrid (2011), From (w)reader to breather: Cybertextual de-intentionalisation in Kate Pullinger et al.’s Breathing Wall [en:] New Narratives: Stories and Storytelling in the Digital Age, eds. Page R., Thomas B., University of Nebraska Press, Lincoln–London. | pl_PL |
dc.references | Hayles Katherine N. (2002), Writing Machines, MIT Press, London–Cambridge. | pl_PL |
dc.references | Hayles Katherine N. (2006), The Time of Digital Poetry: From Object to Event [en:] New Media Poetics: Contexts, Technotexts, and Theories, eds. Morris A., Swiss T., MIT Press, Boston. | pl_PL |
dc.references | Higgins Dick (1987), Pattern Poetry. Guide to Unknown Literature, State University of New York Press, New York. | pl_PL |
dc.references | High Jeremy (2010), Locative Narrative, Literature and Form [en:] Beyond the Screen. Transfor¬mations of Literary Structures, Interfaces and Genres, eds. Schäfer J., Gendola P., transcript, Bielefeld. | pl_PL |
dc.references | Levy Steven (2007), Amazon: Reinventing the Book, http://europe.newsweek.com/amazon-re¬inventing-book-96909?rm=eu [09.11.2015]. | pl_PL |
dc.references | Løvlie Anders Sundnes (2009), Poetic Augmented Reality: Place-bound Literature In Locative Media, https://www.duo.uio.no/bitstream/handle/10852/27215/lovlie_poetic_augmented_reality_free_access_version.pdf ?sequence=1 [30.04.2017]. | pl_PL |
dc.references | Marecki Piotr (2018), Między kartka a ekranem. Cyfrowe eksperymenty z medium książki w Polsce, Jagiellonian UP, Kraków. | pl_PL |
dc.references | Pressman Jessica (2009), The Aesthetic of Bookishness in Twenty-First-Century Literature, “Mi¬chigan Quarterly Review”, fall. | pl_PL |
dc.references | Przybyszewska Agnieszka (2015), Liberackość dzieła literackiego, Wydawnictwo UŁ, Łódź. | pl_PL |
dc.references | Rettberg Scott (2019), Combinatory Poetics [en:] idem, Electronic Literature, Polity Press, Cambridge–Medford. | pl_PL |
dc.references | Rypson Piotr (1989), Obraz słowa. Historia poezji wizualnej, Akademia Ruchu, Warszawa. | pl_PL |
dc.references | Rypson Piotr (2002), Piramidy-słońca-labirynty. Poezja wizualna w Polsce od XVI do XVIII wieku, Wydawnictwo Neriton, Warszawa. | pl_PL |
dc.references | Simanowski Roberto (2009), What is and to What End Do We Read Digital Literature? [en:] Literary Art in Digital Performance. Case Studies in New Media Art and Criticism, ed. Ricar¬do F.J., continuum, New York-London, http://dm.postmediumcritique.org/Book_Literary¬ArtInDigitalPerformance.pdf [28.05.2013]. | pl_PL |
dc.references | Starre Alexander (2015), Metamedia. American Book Fictions and Literary Print Culture after Digitalization, University of Iowa Press, Iowa City. | pl_PL |
dc.references | Strehovec Janez (2014), The E-Literary Text as an Instrument and Ride. Novel Forms of Digi¬tal Literature and the Expanded Concept of Reading [en:] New Literary Hybrids in the Age of Multimedia Expression: Crossing Borders, Crossing Genres, ed. Cornis-Pope M., Virginia Commonwealth University, Amsterdam/Philadelphia. | pl_PL |
dc.references | White Glyn (2005), Reading the Graphic Surface. The Presence of the Book in Prose Fiction, Manchester UP, Manchester. | pl_PL |
dc.identifier.doi | 10.26485/ZRL/2019/62.4/8 | |
dc.relation.volume | 62 | pl_PL |
dc.discipline | literaturoznawstwo | pl_PL |