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Between Gazing and Witnessing: Feminism and Watching Women Suffer on Television

dc.contributor.authorStrehlau, Nelly
dc.contributor.editorOstalska, Katarzyna
dc.contributor.editorFisiak, Tomasz
dc.date.accessioned2022-10-20T16:41:49Z
dc.date.available2022-10-20T16:41:49Z
dc.date.issued2020
dc.identifier.issn0084-4446
dc.identifier.urihttp://hdl.handle.net/11089/43824
dc.description.abstractThe present article discusses ethical aspects of the representations of (sexual) violence and (predominantly women’s) suffering in two recent television series, The Handmaid’s Tale and Dietland. It reflects on the uses and functions of violent imagery they contain and the manner in which this imagery contributes to the series’ perception as feminist shows. The primary question posed is whether this violence occasions engagement or disengagement: whether the role they cast their audiences in consists in gazing or witnessing.pl_PL
dc.language.isoenpl_PL
dc.publisherŁódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiegopl_PL
dc.relation.ispartofseriesZagadnienia Rodzajów Literackich;1
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectThe Handmaid’s Talepl_PL
dc.subjectfeminismpl_PL
dc.subjectdystopiapl_PL
dc.subjecttorture pornpl_PL
dc.subjectviolencepl_PL
dc.subjectDietlandpl_PL
dc.titleBetween Gazing and Witnessing: Feminism and Watching Women Suffer on Televisionpl_PL
dc.typeArticlepl_PL
dc.page.number121-134pl_PL
dc.contributor.authorAffiliationNicolaus Copernicus University in Toruńpl_PL
dc.identifier.eissn2451-0335
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dc.identifier.doi10.26485/ZRL/2020/63.1/10
dc.relation.volume63pl_PL
dc.disciplinenauki o kulturze i religiipl_PL


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