Pokaż uproszczony rekord

“Hollywood is no place for idealists”: Hollywood as Dystopia in Cinema and Fiction

dc.contributor.authorFisiak, Tomasz
dc.contributor.editorOstalska, Katarzyna
dc.contributor.editorFisiak, Tomasz
dc.date.accessioned2022-10-20T16:41:17Z
dc.date.available2022-10-20T16:41:17Z
dc.date.issued2020
dc.identifier.issn0084-4446
dc.identifier.urihttp://hdl.handle.net/11089/43823
dc.description.abstractThe following article deals with the representation of Hollywood as a dystopian place, for women in particular, where glamour is a utopian façade for both literal and figurative corruption, where the lifespan of an actress is severely limited and the process of discarding “useless” artists is systemically implemented. My main point of reference will be Donald Wolfe’s 1970 Savage Intruder, one of the lesser known hag horrors. Moreover, I will allude to other films exploring a similar motif, not to mention Angela Carter’s 1977 novel entitled The Passion of New Eve, which also analyzes the falseness of Hollywood and its capacity for dystopia.pl_PL
dc.language.isoenpl_PL
dc.publisherŁódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiegopl_PL
dc.relation.ispartofseriesZagadnienia Rodzajów Literackich;1
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectGrande Dame Guignolpl_PL
dc.subjectGothic fictionpl_PL
dc.subjectSavage Intruderpl_PL
dc.subjectHollywoodpl_PL
dc.subjectdystopiapl_PL
dc.title“Hollywood is no place for idealists”: Hollywood as Dystopia in Cinema and Fictionpl_PL
dc.typeArticlepl_PL
dc.page.number111-120pl_PL
dc.contributor.authorAffiliationUniversity of Łódź, Institute of English Studiespl_PL
dc.identifier.eissn2451-0335
dc.referencesBeldin Fred, [access: https://www.allmovie.com/movie/the-savage-intruder-v42988/review 7.07.2020]. Carter Angela (1987), The Passion of New Eve, Virago Press, London.pl_PL
dc.referencesCettl Robert (2007), Serial Killer Cinema: An Analytical Filmography with an Introduction, McFarland and Company, Jefferson – North Carolina – London.pl_PL
dc.referencesDrabble Margaret (2000), The Oxford Companion to English Literature, Oxford UP, Oxford.pl_PL
dc.referencesEllenberger Allan R. (2018), Miriam Hopkins: Life and Films of a Hollywood Rebel, The Univer¬sity Press of Kentucky, Lexington.pl_PL
dc.referencesFortune Danny (2009), ‘The Comeback’ a.k.a. ‘Savage Intruder’: Miriam Hopkins’ Decadent Hol¬lywood Mansion Swan Song, https://www.altfg.com/film/the-comeback/ [access: 7.07.2020].pl_PL
dc.referencesHaffenden John (1984), Magical Mannerist: John Haffenden talks to Angela Carter, “The Lite¬rary Review” Nov., 34–38.pl_PL
dc.referencesHayward Susan (2002), Cinema Studies: The Key Concepts, Routledge, London – New York.pl_PL
dc.referencesKamionowski Jerzy (2000), New Wine in Old Bottles. Angela Carter’s Fiction, Wydawnictwo Uniwersytetu w Białymstoku, Białystok.pl_PL
dc.referencesMank Gregory William (2015), Women in Horror Films, 1930s, McFarland and Company, Jef¬ferson – North Carolina – London.pl_PL
dc.referencesOxford Lexico Dictionary, https://www.lexico.com/definition/Hollywood [access: 7.07.2020].pl_PL
dc.referencesRoyal Kathryn (2019), Journalist Guidelines and Media Reporting in the Wake of #MeToo [in:] #MeToo and the Politics of Social Change, eds. Fileborn B., Loney-Howes R., Palgrave Mac¬millan, London.pl_PL
dc.referencesSammon Paul M. (2017), The Big Ugly [in:] #MeToo: Essays About How and Why This Happened, What It Means and How to Make Sure it Never Happens Again, ed. Perkins L., Riverdale Avenue Books, Riverdale.pl_PL
dc.referencesScott Allen John (2005), On Hollywood: The Place, the Industry, Princeton UP, Princeton – Oxford.pl_PL
dc.referencesShary Timothy, McVittie Nancy (2016), Fade to Gray: Aging in American Cinema, University of Texas Press, Austin.pl_PL
dc.referencesShelley Peter (2009), Grande Dame Guignol Cinema: A History of Hag Horror from «Baby Jane» to «Mother», McFarland and Company, Jefferson – North Carolina – London.pl_PL
dc.referencesWatson Paul (2007), Stardom and Hollywood Cinema [in:] Introduction to Film Studies, ed. Nel¬mes J., Routledge, London.pl_PL
dc.identifier.doi10.26485/ZRL/2020/63.1/9
dc.relation.volume63pl_PL
dc.disciplinenauki o kulturze i religiipl_PL
dc.disciplinenauki o komunikacji społecznej i mediachpl_PL


Pliki tej pozycji

Thumbnail
Nazwa:
license_rdf
Rozmiar:
805bajtów
Format:
application/rdf+xml
Oglądaj/Otwórz
Thumbnail
Nazwa:
972-Tekst artykułu-1818-1-10-2 ...
Rozmiar:
528.0KB
Format:
PDF
Opis:
“Hollywood is no place for ...
Oglądaj/Otwórz

Pozycja umieszczona jest w następujących kolekcjach

Pokaż uproszczony rekord

Attribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe
Poza zaznaczonymi wyjątkami, licencja tej pozycji opisana jest jako Attribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe