| dc.contributor.author | Frelik, Edyta | |
| dc.date.accessioned | 2022-10-17T12:39:25Z | |
| dc.date.available | 2022-10-17T12:39:25Z | |
| dc.date.issued | 2018 | |
| dc.identifier.issn | 0084-4446 | |
| dc.identifier.uri | http://hdl.handle.net/11089/43769 | |
| dc.description.abstract | The article focuses on the history of gendered and sexually oriented readings of Georgia O’Keeffe’s art and her surprisingly trenchant, wry and witty responses to skewed and biased interpretations of her paintings of magnified flowers. It also discusses some recent attempts made by a new generation of critics to reconsider O’Keeffe’s themes and strategies as responses to the challenges posed by the historical moment. | pl_PL |
| dc.language.iso | pl | pl_PL |
| dc.publisher | Łódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiego | pl_PL |
| dc.relation.ispartofseries | Zagadnienia Rodzajów Literackich;2 | |
| dc.subject | Georgia O’Keeffe | pl_PL |
| dc.subject | American modernism | pl_PL |
| dc.subject | gender stereotypes | pl_PL |
| dc.subject | gendered reading | pl_PL |
| dc.title | Gender (według) Georgii O’Keeffe: (cudzy) obraz a (własne) słowo artystki | pl_PL |
| dc.title.alternative | Gender According to Georgia O’Keeffe: (Others’) Image Against (her) Word | pl_PL |
| dc.type | Article | pl_PL |
| dc.page.number | 51-62 | pl_PL |
| dc.identifier.eissn | 2451-0335 | |
| dc.references | Brennan Marcia (2001), Painting Gender, Constructing Theory. The Alfred Stieglitz Circle and American Formalist Aesthetics, MIT Press, Cambridge. | pl_PL |
| dc.references | Chave Anna C. (1990), O’Keeffe and the Masculine Gaze, „Art in America”, No. 1 (78). | pl_PL |
| dc.references | Corn Wanda M. (1999), The Great American Thing. Modern Art and National Identity, 1915–1935, University of California Press, Berkeley. | pl_PL |
| dc.references | Eisler Benita (1991), O’Keeffe and Stieglitz. An American Romance, Doubleday, New York. | pl_PL |
| dc.references | Elis-Petersen Hannah (2016), Flowers or Vaginas? Georgia O’Keeffe Tate Show to Challenge Sexual Cli-ches, „The Guardian”, https://www.theguardian.com/artanddesign/2016/mar/01/georgia--okeeffe-show-at-tate-modern-to-challenge-outdated-views-of-artist [dostęp: 13.01.2018]. | pl_PL |
| dc.references | Grad Bonnie L. (1997), The Book Room. Georgia O’Keeffe’s Library in Abiquiu, „Archives of American Art Journal”, No. 1–2 (37). | pl_PL |
| dc.references | Hartley Marsden (1982), On Art, ed. G.R. Scott, Horizon Press, New York. | pl_PL |
| dc.references | Lisle Laurie (1997), Portrait of an Artist. A Biography of Georgia O’Keeffe, Washington Square Press, New York. | pl_PL |
| dc.references | Lyness Barbara Buhler (1989), O’Keeffe, Stieglitz, and the Critics, 1916–1929, UMI Research Press, Ann Arbor. | pl_PL |
| dc.references | Mumford Lewis (1975), Findings and Keepings. Analects for an Autobiography, Harcourt, Brace, Jovanovich, New York. | pl_PL |
| dc.references | O’Keeffe Georgia (1976), Georgia O’Keeffe, Viking Press, New York. | pl_PL |
| dc.references | O’Keeffe Georgia 1987), Georgia O’Keeffe, Art and Letters, ed. S. Greenough, National Gallery of Art, Washigton. | pl_PL |
| dc.references | O’Keeffe Georgia, Stieglitz Alfred (2011), My Faraway One. Selected Letters of Georgia O’Keeffe and Alfred Stieglitz: Volume one, 1915–1933, ed. S. Greenough, Yale UP, New Haven. | pl_PL |
| dc.references | Pollock Griselda (2016), Seeing O’Keeffe Seeing [in:] Georgia O’Keeffe, ed. T. Barson, Tate Publishing, London. | pl_PL |
| dc.references | Rose Barbara (1977), O’Keeffe’s Trail, „The New York Review of Books”, No. 24. | pl_PL |
| dc.references | Rosenfeld Paul (2016), The Paintings of Georgia O’Keeffe [in:] Georgia O’Keeffe, ed. T. Barson, Tate Publishing, London. | pl_PL |
| dc.references | Stieglitz Alfred (1916), Georgia O’Keeffe — C. Duncan — René Lafferty, „Camera Work”, no. 48. | pl_PL |
| dc.references | Tyrrell Henry (2016), Esoteric Art at „291” [in:] Georgia O’Keeffe, ed. T. Barson, Tate Publishing, London. | pl_PL |
| dc.references | Wagner Anne Middleton (1998), Three Artists (Three Women). Modernism and The Art of Hesse, Krasner, and O’Keeffe, University of California Press, Berkeley. | pl_PL |
| dc.identifier.doi | 10.26485/ZRL/2018/61.2/4 | |
| dc.relation.volume | 61 | pl_PL |
| dc.discipline | nauki o sztuce | pl_PL |
