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dc.contributor.authorVasylenko, Roman
dc.contributor.editorPłuciennik, Jarosław
dc.date.accessioned2022-10-08T12:20:12Z
dc.date.available2022-10-08T12:20:12Z
dc.date.issued2020
dc.identifier.issn0084-4446
dc.identifier.urihttp://hdl.handle.net/11089/43608
dc.language.isoenpl_PL
dc.publisherŁódzkie Towarzystwo Naukowe; Wydawnictwo Uniwersytetu Łódzkiegopl_PL
dc.relation.ispartofseriesZagadnienia Rodzajów Literackich;3
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.titleA Miraculous Intrusion into This World: Thomas Pynchon’s The Crying of Lot 49 as Postmodernist Detective Fictionpl_PL
dc.typeOtherpl_PL
dc.page.number127-133pl_PL
dc.contributor.authorAffiliationUniwersytet Marii Curie-Skłodowskiej w Lubliniepl_PL
dc.identifier.eissn2451-0335
dc.contributor.authorBiographicalnoteRoman Vasylenko - Magister literaturoznawstwa Uniwersytetu Marii Curie-Skłodowskiej. Swoje zainteresowania badawcze skupia wokół literatury pięknej postmodernistycznej, szczególnie wokół pisarzy — Thomasa Pynchona i Stephena Wrighta.pl_PL
dc.referencesCortazar Julio (1966), Hopscotch, trans. G. Rabassa, Pantheon Books, New York.pl_PL
dc.referencesDopp Jamie (1997), Affirming the Mystery in Eric McCormack’s ‘The Mysterium’, “Canadian Literature”, no 154.pl_PL
dc.referencesGrant Kerry (2008), A Companion to The Crying of Lot 49, The Second Edition, The University of Georgia Press, Athens.pl_PL
dc.referencesJameson Frederick (1991), Postmodernism, or, the Cultural Logic of Late Capitalism, Duke UP, Durham.pl_PL
dc.referencesKolbuszewska Zofia (2000), The Poetics of Chronotope in the Novels of Thomas Pynchon, The Learned Society of the Catholic UP, Lublin.pl_PL
dc.referencesLehan Richard (1986), Urban Signs and Urban Literature: Literary Form and Historical Process, “New Literary History”, vol. 18, no.1, Studies in Historical Change, (Autumn), p. 99–113.pl_PL
dc.referencesMerivale Patricia, Susan Elizabeth Sweeney (2011), Detecting Texts: The Metaphysical Detective Story from Poe to Postmodernism, University of Pennsylvania Press, Philadelphia.pl_PL
dc.referencesModdelmog Debra A. (1987), The Oedipus Myth and Reader Response in Pyn- chon’s The Crying of Lot 49, “Papers on Language and Literature” 23.2.pl_PL
dc.referencesPoe Edgar Allan (2006), The Murders in the Rue Morgue [in:] The Portable Edgar Allan Poe, ed. Kennedy J.G., Penguin Books, New York.pl_PL
dc.referencesPynchon Thomas (2000), The Crying of Lot 49, Vintage Books, London.pl_PL
dc.referencesScaggs John (2005), Crime Fiction, Routledge, London–New York.pl_PL
dc.referencesSeed David (1988), The Fictional Labyrinths of Thomas Pynchon, The Macmillan Press LTD, London.pl_PL
dc.referencesTani Stefano (1984), The Metafictional Anti-Detective Novel [in:] The Doomed Detective: The Contribution of the Detective Novel to Postmodern American and Italian Fiction, Southern Illinois UP, Carbondale.pl_PL
dc.referencesTanner Tony (1982), Thomas Pynchon, Methuen, London–New York.pl_PL
dc.referencesTodorov Tzvetan (1977), The Typology of Detective Fiction [in:] The Poetics of Prose, trans. R. Howard, Cornell UP, NY: Ithaca.pl_PL
dc.identifier.doi10.26485/ZRL/2020/63.3/8
dc.relation.volume63pl_PL
dc.disciplineliteraturoznawstwopl_PL


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