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dc.contributor.authorMandart, Mylène
dc.contributor.editorKoźluk, Magdalena
dc.contributor.editorStaroń, Anita
dc.date.accessioned2022-08-26T08:24:01Z
dc.date.available2022-08-26T08:24:01Z
dc.date.issued2022
dc.identifier.citationMandart M., Lo fantástico como vía de supervivencia para Ana Blandiana; vivir, recordar y soñar, [w:] L’art de vivre, de survivre, de revivre. Approches littéraires. Le 50e anniversaire des études romanes à l’Université de Łódź, Koźluk M., Staroń A. (red.), Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2022, s. 379-388, https://doi.org/10.18778/8220-877-1.28pl_PL
dc.identifier.isbn978-83-8220-877-1
dc.identifier.urihttp://hdl.handle.net/11089/42994
dc.description.abstractAna Blandiana, an internationally recognized writer, has been an opponent of the dictatorial regime of Nicolae Ceaușescu. She is a censored poet; she has had to struggle to find a way to convey her words. She became a symbol of the resistance, and despite the prohibition she continued to write; several of her tales and poems are both a reflection and a critique of how she lived under communist totalitarianism. Blandiana finds a way to live through writing. She ties her works to the fantasy genre, which are divided between a dream world and a historical reality. The dream is the place chosen by the writer to be able to express herself freely through the voice of her characters. In addition to the spatial duality, Blandiana chooses to situate her narratives in a temporal duality. The protagonists are immersed in the writer’s own past, and in an eternal present through which she projects her hopes for a better future.pl_PL
dc.language.isoespl_PL
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl_PL
dc.relation.ispartofKoźluk M., Staroń A. (red.), L’art de vivre, de survivre, de revivre. Approches littéraires. Le 50e anniversaire des études romanes à l’Université de Łódź, Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2022;
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectBlandianapl_PL
dc.subjectdreampl_PL
dc.subjectdictatorshippl_PL
dc.subjectcommunismpl_PL
dc.subjectRomaniapl_PL
dc.subjecttalespl_PL
dc.titleLo fantástico como vía de supervivencia para Ana Blandiana; vivir, recordar y soñarpl_PL
dc.title.alternativeThe Fantastic as a Way of Survival for Ana Blandiana; Live, Remember and Dreampl_PL
dc.typeBook chapterpl_PL
dc.rights.holder© Copyright by Authors, Łódź 2022; © Copyright for this edition by University of Łódź, Łódź 2022pl_PL
dc.page.number379-388pl_PL
dc.contributor.authorAffiliationUniversidad Complutense de Madridpl_PL
dc.identifier.eisbn978-83-8220-878-8
dc.contributor.authorBiographicalnoteMylène Mandart, profesora de FLE en la enseña secundaria obligatoria y bachillerato. Investigadora en literatura rumana, y filóloga de lenguas románicas, está realizando un estudio del corpus de obras de Ana Blandiana para la obtención del título de Doctora en Estudios Literarios con la Universidad Complutense de Madrid.pl_PL
dc.referencesBlandiana, Ana, Proyectos de pasado, Cáceres, Periférica, 2008, traducido del rumano por Viorica Pateapl_PL
dc.referencesBlandiana, Ana, Las cuatro estaciones, Cáceres, Periférica, 2011, traducido del rumano por Viorica Pateapl_PL
dc.referencesCastex, Pierre-Georges, Le Conte fantastique en France de Nodier à Maupassant, Paris, José Corti, 1962pl_PL
dc.referencesDoležel, Lubomír, Heterocósmica: ficción y mundos posibles, Madrid, 1999, Arco Libros, traducido del inglés por Félix Rodriguezpl_PL
dc.referencesDurand, Gilbert, L’Imagination symbolique, Millau, Puf, 2017pl_PL
dc.referencesEliade, Mircea, Le Mythe de l’éternel retour, Paris, Gallimard, 2014pl_PL
dc.referencesGarrido Alarcón, Edmundo, «Recorrer esta distancia. Notas sobre el exilio», Revista de Filología Románica, Anejo VII, 2011, p. 9-17pl_PL
dc.referencesTodorov, Tzvetan, Introduction à la littérature fantastique, Paris, Seuil, 1970pl_PL
dc.contributor.authorEmailmmandart@ucm.espl_PL
dc.identifier.doi10.18778/8220-877-1.28
dc.disciplineliteraturoznawstwopl_PL


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Attribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe
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