dc.contributor.author | Sosnowska, Monika | |
dc.date.accessioned | 2022-07-25T05:20:45Z | |
dc.date.available | 2022-07-25T05:20:45Z | |
dc.date.issued | 2016 | |
dc.identifier.citation | Sosnowska M., From Shakespeare to Sh(Web)speare, Łódź University Press, Łódź 2016, https://doi.org/10.18778/8088-128-0 | pl_PL |
dc.identifier.isbn | 978-83-8088-128-0 | |
dc.identifier.uri | http://hdl.handle.net/11089/42515 | |
dc.description | Drawing on Allan Edgar Poe’s provocative statement that “The death ... of a beautiful woman is, unquestionably, the most poetic topic in the world” (1951: 369), I focus on the pivotal role of Shakespeare’s Ophelia in attesting to this assertion. Ophelia’s drowning is probably the most recognizable female death depicted by Shakespeare. Dating back to Gertrude’s ‘reported version’ of the drowning, representations of Ophelia’s eroticized death have occupied the minds of Western artists and writers. Their necrOphelian fantasies materialized as numerous paintings, photographs and literary texts. It seems that Ophelia’s floating dead body is also at the core of postmodern thanatophiliac imagination, taking shape in the form of conventionalized representations, such as: video scenes available on YouTube, amateur photographs in bathtubs posted on photo sharing sites, reproductions and remakes of classical paintings (e.g. John Everett Millais), and contemporary art exhibitions in museums. These references demonstrate that new cyber story – digital afterlife – is being built around the figure of Shakespearean Ophelia, unearthing the sexual attraction of the lifeless female body. | pl_PL |
dc.description.sponsorship | Udostępnienie publikacji Wydawnictwa Uniwersytetu Łódzkiego finansowane w ramach projektu „Doskonałość naukowa kluczem do doskonałości kształcenia”. Projekt realizowany jest ze środków Europejskiego Funduszu Społecznego w ramach Programu Operacyjnego Wiedza Edukacja Rozwój; nr umowy: POWER.03.05.00-00-Z092/17-00.
The book publication costs were covered by a grant of the Ministry of Science and Higher Education for young scholars in 2015 | pl_PL |
dc.language.iso | en | pl_PL |
dc.publisher | Łódź University Press | pl_PL |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.subject | William Shakespeare | pl_PL |
dc.subject | plays | pl_PL |
dc.subject | Ophelia | pl_PL |
dc.subject | female death | pl_PL |
dc.subject | Shakespearations | pl_PL |
dc.subject | popculture | pl_PL |
dc.subject | Polish culture | pl_PL |
dc.title | From Shakespeare to Sh(Web)speare | pl_PL |
dc.type | Book | pl_PL |
dc.rights.holder | © Copyright by Monika Sosnowska, Łódź 2015; © Copyright for this edition by Uniwersytet Łódzki, Łódź 2015 | pl_PL |
dc.page.number | 118 | pl_PL |
dc.contributor.authorAffiliation | University of Łódź, Faculty of International and Political Studies, British and Commonwealth Studies Department, Narutowicza 59, 90-131 Łódź | pl_PL |
dc.identifier.eisbn | 978-83-8088-129-7 | |
dc.references | Bradley, Andrew Cecil. 2004. Shakespearean Tragedy. New Delhi: Atlantic. | pl_PL |
dc.references | Bronfen, Elisabeth. 1992. Over her Dead Body: Death, Femininity, and the Aesthetic. Manchester: Manchester UP. | pl_PL |
dc.references | Coleridge, Samuel Taylor. 2007. Literary Remains. Vol. 2. Teddington: Echo Library. | pl_PL |
dc.references | Desmet, Christy. 2012. “Character.” In Arthur F. Kinney (ed.), The Oxford Handbook of Shakespeare. Oxford: Oxford University Press. 536–553. | pl_PL |
dc.references | Ferranto, Matt. 2010. Digital Self-fashioning in Cyberspace: The New Digital Self-portrait. In Jane Kromm & Susan Benforado Bakewell (eds.), A History of Visual Culture: Western Civilisation from the 18th to the 21st. Oxford & New York: Berg. 356–366. | pl_PL |
dc.references | Finkelstein, Joanne. 2007. The Art of Self Invention: Image and Identity in Popular Visual Culture. London & New York: I.B.Tauris. | pl_PL |
dc.references | Fox-Good, Jacqueline. 1995. „Ophelia’s Mad Songs: Music, Gender, Power.” In David G. Allen & Robert A. White (eds.), Subjects on the World’s Stage: Essays on British Literature of the Middle Ages and Renaissance, Newark: University of Delaware Press. 217–238. | pl_PL |
dc.references | Garnet, Carla. 2010. „Drowning Ophelia. Gallery Stratford.” http://www.gallerystratford.on.ca/exhibits/drowning-ophelia (accessed 13 Feb. 2013). | pl_PL |
dc.references | Greenblatt, Stephen. 1980. Renaissance Self-fashioning: From More to Shakespeare. Chicago: University of Chicago Press. | pl_PL |
dc.references | Johnson, Samuel. 2008. Preface to Shakespeare. ReadHowYouWant.com | pl_PL |
dc.references | Mesa-Villar, María José. 2004. „Musings from Ophelia’s Watery Voyage: Images of Female Submission in Shakespeare’s and Millais’ Drowning Maiden.” Sederi 14. 227–237. | pl_PL |
dc.references | “Museum voor Moderne Kunst Arnhem Presents Desire, Melancholy in the Death Wish.” artdaily.org.http://www.artdaily.org/index.asp?int_sec=11&int_new=29209#.UR6OF6UbevQ (accessed 13 Feb. 2013). | pl_PL |
dc.references | Osborne, Laurie. 2010. „iShakespeare: Digital Art/Games, Intermediality, and the Future of Shakespearean Film.” Shakespeare Studies 38. 48–57. | pl_PL |
dc.references | Pace, Merle. 2012. “Ophelia, Ophelia, Ophelia!” merlepacearts.com http://merlepacearts.com/2012/09/17/ophelia-ophelia-ophelia/ (accessed 13 Feb. 2013). | pl_PL |
dc.references | Peterson, Kara & Deanne Williams. 2012. “Introduction: The Afterlives of Ophelia.” In Kara Peterson & Deanne Williams (eds.), The Afterlife of Ophelia. New York: Palgrave Macmillan. 1–9. | pl_PL |
dc.references | Poe, Allan Edgar. 1951. „The Philosophy of Composition.” In Thomas Ollive Mabbot (ed.), Selected Poetry and Prose of Edgar Allan Poe. New York: Modern Library. 363–374. | pl_PL |
dc.references | Potter, Lois. 2012. The life of William Shakespeare: A Critical Biography. Oxford: Wiley-Blackwell. | pl_PL |
dc.references | Rimbaud, Arthur. 2001. Collected Poems. Trans. Martin Sorrel. Oxford: Oxford University Press. | pl_PL |
dc.references | Romańska, Magda. 2005a. „NecrOphelia: Death, Femininity and the Making of Modern Aesthetics.” Performance Research: A Journal of the Performing Arts 10(3). 35–53. | pl_PL |
dc.references | Romańska, Magda. 2005b. „Ontology and Eroticism: Two Bodies of Ophelia.” Women’s Studies: An Interdisciplinary Journal 34(6). 485–503. | pl_PL |
dc.references | Schücking, Levin Ludwig. 1992. Character Problems in Shakespeare’s Plays: A Guide to the Better Understanding of the Dramatist. New York: Smith. | pl_PL |
dc.references | Scolnicov, Hanna. 2000. „Intertextuality and Realism in Three Versions of Hamlet: The Willow Speech and the Aesthetics of Cinema.” In Holger Klein & James Harner (eds.), Shakespeare Yearbook 11: Shakespeare and the Visual Arts. Lewiston: Mellen. 227–237. | pl_PL |
dc.references | Showalter, Elaine. 1985. „Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism.” In Patricia Parker & Geoffrey Hartman (eds.), Shakespeare and the Question of Theory. New York: Methuen. 77–94. | pl_PL |
dc.references | Storey, John. 2005. „Postmodernism and Popular Culture.” In Stuart Sim (ed.), Routledge Companion to Postmodernism. London & New York: Routledge. 133–142. | pl_PL |
dc.references | Strangelove, Michael. 2010. Watching YouTube: Extraordinary Videos by Ordinary People. Toronto: University of Toronto Press. | pl_PL |
dc.references | Traub, Valerie. 1988. „Jewels, Statues, and Corpses: Containment of Female Erotic Power in Shakespeare’s Plays.” Shakespeare Studies 20. 15–38. | pl_PL |
dc.references | White, Robert S. 2007. „Ophelia’s Sisters.” In Dympna Callaghan (ed.), The Impact of Feminism in English Renaissance studies. Basingstoke: Palgrave-Macmillan. 93–113. | pl_PL |
dc.references | Cardoso, Joana. 2012. “Lady Siddal.” http://www.flickr.com/photos/essers/2528613975/ ( accessed 15 May 2013). | pl_PL |
dc.references | Essers. 2008. “Lizzy, being Lizzy Siddal.” http://www.f lickr.com/photos/essers/2528613975/ (accessed 15 May 2013). | pl_PL |
dc.references | Grasso, Eleonora. 2010. “199/365.” http://www.flickr.com/photos/noretta_imma/4409115266/sizes/z/in/photostream/ (accessed 14 Apr. 2013). | pl_PL |
dc.references | Létourneau-Prézeau, Valérie. 2009. “Alexa la muse d’Ophélia. Sirène envoûtante.” http://www.flickr.com/photos/gaiaart_photomaniac/4091393196/sizes/z/in/photostream/ (accessed 10 June 2013). | pl_PL |
dc.references | Temby, Nic. 2009. “Ophelia.” http://www.flickr.com/photos/nic_temby/4175014585/sizes/z/in/photostream/ (accessed 15 May 2013). | pl_PL |
dc.references | Bella1951. 2011. “Ophelia drowns.” http://www.youtube.com/watch?v=mmq3ylfVJ3Q&feature=related (accessed 14 Apr. 2013). | pl_PL |
dc.references | Combs, Jordan. 2013. “The death of Ophelia (‘Dead in the water − Ellie Goulding)” https://www.youtube.com/watch?v=ywdXE4F_XA0 (accessed 15 May 2013). | pl_PL |
dc.references | Harlore. 2009. “Ophelia drowns (Feist − Honey Honey).” http://www.youtube.com/watch?v=ZDlgJMNhKdE&feature=related (accessed 14 Apr. 2013). | pl_PL |
dc.references | Lombardo, Mary Jo. 2010. “Ophelia.” http://www.youtube.com/watch?v=rBemxuuBJHc&feature=related (accessed 15 May 2013). | pl_PL |
dc.references | Zung, Kristen. 2012. “Ophelia’s death.” https://www.youtube.com/watch?v=yXLv83_Mfx0. (accessed 14 Apr. 2013). | pl_PL |
dc.identifier.doi | 10.18778/8088-128-0 | |
dc.discipline | literaturoznawstwo | pl_PL |
dc.discipline | nauki o kulturze i religii | pl_PL |