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dc.contributor.authorAguirre, Mercedes
dc.date.accessioned2022-01-03T13:29:49Z
dc.date.available2022-01-03T13:29:49Z
dc.date.issued2021-12-28
dc.identifier.issn1733-0319
dc.identifier.urihttp://hdl.handle.net/11089/40403
dc.description.abstractThis article analyses two stories by women writers (The Heads of Cerberus by Francis Stevens (1952) and The Breakthrough by Daphne du Maurier (1964)), which could both be considered as belonging to the genre of science fiction. These stories do not follow the ‘canonical’ or more popular type of underworld narrative, especially the idea of the katabasis or descent to the underworld and the encounter with the dead, a motif which has often been present in Western culture since classical antiquity and has generated numerous narratives. Rather, they evoke the classical myth of the underworld through the use of certain names (such as Charon and Cerberus) as well as exploring other concepts which coincide with ancient Greek accounts of the topography and inhabitants of the world of the dead, the realm ruled over by Hades.en
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesCollectanea Philologica;24pl
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectMythen
dc.subjectunderworlden
dc.subjectscience fictionen
dc.subjectFrancis Stevensen
dc.subjectDaphne du Maurieren
dc.subjectmitoes
dc.subjectinframundoes
dc.subjectciencia ficciónes
dc.subjectFrancis Stevenses
dc.subjectDaphne du Maurieres
dc.subjectmitpl
dc.subjectpodziemiapl
dc.subjectscience fictionpl
dc.subjectFrancis Stevenspl
dc.subjectDaphne du Maurierpl
dc.titleThe Mythical Underworlds of Francis Stevens and Daphne du Maurieren
dc.title.alternativeLos Inframundos Mítocos De Francis Stevens Y Daphne Du Maurieres
dc.typeArticle
dc.page.number185-195
dc.contributor.authorAffiliationUniversidad Complutense Madriden
dc.identifier.eissn2353-0901
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dc.contributor.authorEmailmacics@yahoo.co.uk
dc.identifier.doi10.18778/1733-0319.24.12


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