dc.contributor.author | Stawiarski, Marcin | |
dc.contributor.editor | Deckert, Mikołaj | |
dc.contributor.editor | Kocot, Monika | |
dc.contributor.editor | Majdzińska-Koczorowicz, Aleksandra | |
dc.date.accessioned | 2021-10-25T14:39:08Z | |
dc.date.available | 2021-10-25T14:39:08Z | |
dc.date.issued | 2020 | |
dc.identifier.citation | Stawiarski M., Vocal Intersemioticity in James Chapman’s How Is This Going to Continue?, [in:] Moving between Modes. Papers in Intersemiotic Translation in Memoriam Professor Alina Kwiatkowska, Deckert M., Kocot M., Majdzińska-Koczorowicz A. (eds.), Łódź University Press, Łódź 2020, pp. 191-206, doi: 10.18778/8220-191-8.13 | pl_PL |
dc.identifier.isbn | 978-83-8220-191-8 | |
dc.identifier.uri | http://hdl.handle.net/11089/39544 | |
dc.language.iso | en | pl_PL |
dc.publisher | Łódź University Press | pl_PL |
dc.relation.ispartof | Deckert M., Kocot M., Majdzińska-Koczorowicz A. (eds.), Moving between Modes. Papers in Intersemiotic Translation in Memoriam Professor Alina Kwiatkowska, Łódź University Press, Łódź 2020; | |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.title | Vocal Intersemioticity in James Chapman’s How Is This Going to Continue? | pl_PL |
dc.type | Book chapter | pl_PL |
dc.page.number | 191-206 | pl_PL |
dc.contributor.authorAffiliation | Université de Caen Basse-Normandie, ERIBIA (E.A. 2610) | pl_PL |
dc.identifier.eisbn | 978-83-8220-192-5 | |
dc.contributor.authorBiographicalnote | Marcin Stawiarski teaches at the University of Caen Normandy, in France. He completed his Ph.D. thesis, entitled “Temporal Aspects of Music in the 20th Century Novel: Conrad Aiken, Anthony Burgess and Gabriel Josipovici”, at the University of Poitiers in 2007. His research focuses on the intersections of music and literature. He also works on contemporary music and composition. He has published numerous papers on music, musicalization of fiction and has conducted research on questions of voice in literature. | pl_PL |
dc.references | Bakhtin, Mikhail (1981). The Dialogic Imagination: Four Essays by M. M. Bakhtin. Austin: University of Texas Press. | pl_PL |
dc.references | Barthes, Roland (1984). “Le style et son image”. In: Le Bruissement de La Langue. (141–150). Paris: Seuil. | pl_PL |
dc.references | Castarède, Marie-France (2004). La voix et ses sortilèges. Paris: Les Belles Lettres, Confluents Psychoanalytiques. | pl_PL |
dc.references | Chapman, James (2007). How Is This Going to Continue? New York: Fugue State Press. | pl_PL |
dc.references | Chase, Robert (2003). Dies Irae: A Guide to Requiem Music. Lanham: Scarecrow Press. | pl_PL |
dc.references | Compagnon, Antoine (1979). La seconde main ou le travail de la citation. Paris: Seuil. | pl_PL |
dc.references | Escal, Françoise (1988). “Le thème en musique classique”. Communications, Variations sur Le Thème 47: 93–117. | pl_PL |
dc.references | Grout, Donald Jay, Claude V. Palisca (1988). A History of Western Music. New York: W.W. Norton and Company. | pl_PL |
dc.references | Jakobson, Roman (1959). “On Linguistic Aspects of Translation”. In: Selected Writings II. (260–66). The Hague: Mouton. | pl_PL |
dc.references | McCutcheon, Mark A. (2012). “The Cento, Romanticism, and Copyright”. English Studies in Canada 38 (2): 71–101. | pl_PL |
dc.references | Michels, Ulrich (1988). Guide illustré de la musique. Paris: Fayard. | pl_PL |
dc.references | Miola, Robert S. (2004). “Seven Types of Intertextuality”. Shakespeare, Italy and Intertextuality. Ed. Michele Marrapodi. (13–25). Manchester: Manchester University Press. | pl_PL |
dc.references | Navas, Eduardo (2012). Remix Theory: The Aesthetics of Sampling. Wien: Springer. | pl_PL |
dc.references | Okáčová, Marie (2009). “Centiones: Recycled Art or the Embodiment of Absolute Intertextuality?” In: Kakanien revisited. (1–11). http://www.kakanien.ac.at/beitr/graeca_latina/MOkacova1.pdf [accessed Jan. 18, 2014]. | pl_PL |
dc.references | Trésor de la Langue Française. http://atilf.atilf.fr/ [accessed Jan. 18, 2014]. | pl_PL |
dc.references | Zimmermann, Bernd Alois (1999). Requiem for a Young Poet. Carnegie Hall Programme, 20 April 1999. English trans. P. Sharpe. Mainz: Schott’s Soehne. http://audiolabo.free.fr/revue1999/content/zimmermann1.htm [accessed Jan. 18, 2014]. | pl_PL |
dc.identifier.doi | 10.18778/8220-191-8.13 | |