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dc.contributor.authorStawiarski, Marcin
dc.contributor.editorDeckert, Mikołaj
dc.contributor.editorKocot, Monika
dc.contributor.editorMajdzińska-Koczorowicz, Aleksandra
dc.date.accessioned2021-10-25T14:39:08Z
dc.date.available2021-10-25T14:39:08Z
dc.date.issued2020
dc.identifier.citationStawiarski M., Vocal Intersemioticity in James Chapman’s How Is This Going to Continue?, [in:] Moving between Modes. Papers in Intersemiotic Translation in Memoriam Professor Alina Kwiatkowska, Deckert M., Kocot M., Majdzińska-Koczorowicz A. (eds.), Łódź University Press, Łódź 2020, pp. 191-206, doi: 10.18778/8220-191-8.13pl_PL
dc.identifier.isbn978-83-8220-191-8
dc.identifier.urihttp://hdl.handle.net/11089/39544
dc.language.isoenpl_PL
dc.publisherŁódź University Presspl_PL
dc.relation.ispartofDeckert M., Kocot M., Majdzińska-Koczorowicz A. (eds.), Moving between Modes. Papers in Intersemiotic Translation in Memoriam Professor Alina Kwiatkowska, Łódź University Press, Łódź 2020;
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.titleVocal Intersemioticity in James Chapman’s How Is This Going to Continue?pl_PL
dc.typeBook chapterpl_PL
dc.page.number191-206pl_PL
dc.contributor.authorAffiliationUniversité de Caen Basse-Normandie, ERIBIA (E.A. 2610)pl_PL
dc.identifier.eisbn978-83-8220-192-5
dc.contributor.authorBiographicalnoteMarcin Stawiarski teaches at the University of Caen Normandy, in France. He completed his Ph.D. thesis, entitled “Temporal Aspects of Music in the 20th Century Novel: Conrad Aiken, Anthony Burgess and Gabriel Josipovici”, at the University of Poitiers in 2007. His research focuses on the intersections of music and literature. He also works on contemporary music and composition. He has published numerous papers on music, musicalization of fiction and has conducted research on questions of voice in literature.pl_PL
dc.referencesBakhtin, Mikhail (1981). The Dialogic Imagination: Four Essays by M. M. Bakhtin. Austin: University of Texas Press.pl_PL
dc.referencesBarthes, Roland (1984). “Le style et son image”. In: Le Bruissement de La Langue. (141–150). Paris: Seuil.pl_PL
dc.referencesCastarède, Marie-France (2004). La voix et ses sortilèges. Paris: Les Belles Lettres, Confluents Psychoanalytiques.pl_PL
dc.referencesChapman, James (2007). How Is This Going to Continue? New York: Fugue State Press.pl_PL
dc.referencesChase, Robert (2003). Dies Irae: A Guide to Requiem Music. Lanham: Scarecrow Press.pl_PL
dc.referencesCompagnon, Antoine (1979). La seconde main ou le travail de la citation. Paris: Seuil.pl_PL
dc.referencesEscal, Françoise (1988). “Le thème en musique classique”. Communications, Variations sur Le Thème 47: 93–117.pl_PL
dc.referencesGrout, Donald Jay, Claude V. Palisca (1988). A History of Western Music. New York: W.W. Norton and Company.pl_PL
dc.referencesJakobson, Roman (1959). “On Linguistic Aspects of Translation”. In: Selected Writings II. (260–66). The Hague: Mouton.pl_PL
dc.referencesMcCutcheon, Mark A. (2012). “The Cento, Romanticism, and Copyright”. English Studies in Canada 38 (2): 71–101.pl_PL
dc.referencesMichels, Ulrich (1988). Guide illustré de la musique. Paris: Fayard.pl_PL
dc.referencesMiola, Robert S. (2004). “Seven Types of Intertextuality”. Shakespeare, Italy and Intertextuality. Ed. Michele Marrapodi. (13–25). Manchester: Manchester University Press.pl_PL
dc.referencesNavas, Eduardo (2012). Remix Theory: The Aesthetics of Sampling. Wien: Springer.pl_PL
dc.referencesOkáčová, Marie (2009). “Centiones: Recycled Art or the Embodiment of Absolute Intertextuality?” In: Kakanien revisited. (1–11). http://www.kakanien.ac.at/beitr/graeca_latina/MOkacova1.pdf [accessed Jan. 18, 2014].pl_PL
dc.referencesTrésor de la Langue Française. http://atilf.atilf.fr/ [accessed Jan. 18, 2014].pl_PL
dc.referencesZimmermann, Bernd Alois (1999). Requiem for a Young Poet. Carnegie Hall Programme, 20 April 1999. English trans. P. Sharpe. Mainz: Schott’s Soehne. http://audiolabo.free.fr/revue1999/content/zimmermann1.htm [accessed Jan. 18, 2014].pl_PL
dc.identifier.doi10.18778/8220-191-8.13


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