Pokaż uproszczony rekord

dc.contributor.authorBieńczyk, Marek
dc.date.accessioned2021-04-06T12:19:47Z
dc.date.available2021-04-06T12:19:47Z
dc.date.issued2019-12-30
dc.identifier.issn2299-7458
dc.identifier.urihttp://hdl.handle.net/11089/35001
dc.description.abstractHaving written The Joke, Kundera changed the modus vivendi of the novel’s narrator who, with time, became a separate protagonist. This is connected with the appearance of the ellipsis as the main plot device, which is not yet present in The Joke. This change in the way of narrating represents another and, perhaps, a deeper dividing line in Kundera’s writing than switching to another language (from Czech to French), the change of the setting (from Czechoslovakia to Western countries) and the change of the political system (from communist to ‘imagological’) as an instrument of oppression.en
dc.language.isoen
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl
dc.relation.ispartofseriesCzytanie Literatury. Łódzkie Studia Literaturoznawcze;8pl
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0
dc.subjectKunderaen
dc.subjectnovelen
dc.subjectnarratoren
dc.subjectsublimenessen
dc.subjectstoryen
dc.subjectellipsisen
dc.titleCésure et sublimeen
dc.typeOther
dc.page.number327-331
dc.contributor.authorAffiliationPolish Academy of Sciences, Institute of Literary Researchen
dc.identifier.eissn2449-8386
dc.contributor.authorEmailmarek.bienczyk@ibl.waw.pl
dc.identifier.doi10.18778/2299-7458.08.29


Pliki tej pozycji

Thumbnail

Pozycja umieszczona jest w następujących kolekcjach

Pokaż uproszczony rekord

https://creativecommons.org/licenses/by-nc-nd/4.0
Poza zaznaczonymi wyjątkami, licencja tej pozycji opisana jest jako https://creativecommons.org/licenses/by-nc-nd/4.0