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dc.contributor.authorChawrilska, Irena
dc.contributor.editorPłuciennik, Jarosław
dc.contributor.editorGärdenfors, Peter
dc.contributor.editorPowers, William
dc.contributor.editorWróblewski, Michał
dc.date.accessioned2020-12-14T09:29:24Z
dc.date.available2020-12-14T09:29:24Z
dc.date.issued2015
dc.identifier.citationChawrilska I., The Hybrid Work of Art as Experience, [w:] On-line/Off-line - Between Text and Experience. Writing as a Lifestyle, Gärdenfors P., Powers W., Płuciennik J., Wróblewski M. (red.), Łódź University Press, Jagiellonian University Press, Łódź-Kraków 2015, s. 133-150, doi: 10.18778/7969-821-9.09pl_PL
dc.identifier.isbn978-83-7969-821-9
dc.identifier.urihttp://hdl.handle.net/11089/32905
dc.description.abstractThis article focuses on the hybrid work of art viewed as a form of experience. The issue taken into consideration is hybrid work of art viewed as a form of experience from the perspective of how Dewey wrote about art which can be perceived as a form of experience. How can we understand the notion of experience in relation to a work of art, and, more importantly, to a hybrid work of art? The analysis of the experience category is based on the philosophical texts written by Luigi Pareyson. The question explored is whether hybrid works of art portray the experience of contemporary reality. The poems of Paula Claire (ES-SENSE and Hymns to Isis) and the artistic book by Jim Butler (A.M.D.G) are taken into consideration.pl_PL
dc.description.sponsorshipUdostępnienie publikacji Wydawnictwa Uniwersytetu Łódzkiego finansowane w ramach projektu „Doskonałość naukowa kluczem do doskonałości kształcenia”. Projekt realizowany jest ze środków Europejskiego Funduszu Społecznego w ramach Programu Operacyjnego Wiedza Edukacja Rozwój; nr umowy: POWER.03.05.00-00-Z092/17-00.pl_PL
dc.language.isoenpl_PL
dc.publisherŁódź University Press, Jagiellonian University Presspl_PL
dc.relation.ispartofGärdenfors P., Powers W., Płuciennik J., Wróblewski M. (red.), On-line/Off-line - Between Text and Experience. Writing as a Lifestyle, Łódź University Press, Jagiellonian University Press, Łódź-Kraków 2015;
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjecthybrid work of artpl_PL
dc.subjectexperiencepl_PL
dc.subjectLuigi Pareysonpl_PL
dc.subjectcontemporary realitypl_PL
dc.titleThe Hybrid Work of Art as Experiencepl_PL
dc.typeBook chapterpl_PL
dc.page.number133-150pl_PL
dc.contributor.authorAffiliationUniversity of Gdanskpl_PL
dc.identifier.eisbn978-83-7969-822-6
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dc.referencesDawidek Gryglicka Małgorzata 2012, The History of Visual Text. Poland after 1967, Cracow– Wroclaw: Ha!art Corporation.pl_PL
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dc.referencesDroit Roger-Pol 2006,”The Magnitude of Experience”, Second Texts, No. 3.pl_PL
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dc.referencesPareyson Luigi 2009, The Aesthetics. Theory of Formativity, trans. K. Kasia, Cracow: Universitas.pl_PL
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dc.referencesSkwarczyńska Stefania 1977, On the Place of Concrete Poetry and Similar Phenomena in the Research Interests of Scholarly Poetics, [in:] The Structure of Semantics of the Literary Text, ed. Mihály Péter, Budapest: Akadémiai Kiadó.pl_PL
dc.referencesSławek Tadeusz 1989, The Philosophy of Conjunction and the Poetry of Negativity, [in:] Between Letters. Sketches on Concrete Poetry, Wroclaw: Dolnośląskie Publishing House.pl_PL
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dc.identifier.doi10.18778/7969-821-9.09


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