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dc.contributor.authorKowzan, Jacek
dc.contributor.editorKazik, Joanna
dc.contributor.editorMirowska, Paulina
dc.date.accessioned2019-06-10T09:30:30Z
dc.date.available2019-06-10T09:30:30Z
dc.date.issued2013
dc.identifier.citationKowzan J., The Rite-of-Passage Structure in Medieval and Early Modern Visionary Accounts, [w:] Studies in English Drama and Poetry vol. 3. Reading subversion and transgression, Kazik J., Mirowska P. (red.), Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2013, s. 177-187, doi: 10.18778/7525-994-0.15pl_PL
dc.identifier.isbn978-83-7525-994-0
dc.identifier.urihttp://hdl.handle.net/11089/28811
dc.description.abstractThe aim of this paper is to apply Arnold van Gennep’s and Victor Turner’s conceptual scheme of the rite of passage to medieval and early modern visions of the hereafter. Most of the visionary accounts (e.g., Drythelm’s Vision, Thurkill’s Vision, St. Patrick’s Purgatory) share a great deal of similar material. Usually these are stories about a man who is mysteriously taken to the otherworld during his deep sleep, trance, severe sickness or a similar state which, in Carol Zaleski’s words, is called a near-death experience. Afterwards a visionary is brought back to tell his community about the things he saw. From such a composition, one can work out that visions, in most cases, have a threefold structure of rites de passage: separation (pre-liminal phase), transition (liminal or margin phase) and aggregation (post-liminal phase). A threshold (limen) stage between separation from one state and integration into another is a crucial one as it implicates not only transgression but also transformation of a visionary. The liminal phase is being regarded here as a point of entry and exit between zones of this experience. It also includes the suspension of social roles and, by definition, being “not in control.” On his return, the visionary can be perceived by the community as a messenger or a prophet, depending on the circumstances.pl_PL
dc.description.sponsorshipUdostępnienie publikacji Wydawnictwa Uniwersytetu Łódzkiego finansowane w ramach projektu „Doskonałość naukowa kluczem do doskonałości kształcenia”. Projekt realizowany jest ze środków Europejskiego Funduszu Społecznego w ramach Programu Operacyjnego Wiedza Edukacja Rozwój; nr umowy: POWER.03.05.00-00-Z092/17-00.pl_PL
dc.language.isoplpl_PL
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl_PL
dc.relation.ispartofKazik J., Mirowska P. (red.), Studies in English Drama and Poetry vol. 3. Reading subversion and transgression, Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2013;
dc.relation.ispartofseriesStudies in English Drama and Poetry;
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectrite-of-passage structurepl_PL
dc.subjectmedieval and early modern visionary accountspl_PL
dc.titleThe Rite-of-Passage Structure in Medieval and Early Modern Visionary Accountspl_PL
dc.typeBook chapterpl_PL
dc.page.number177-187pl_PL
dc.contributor.authorAffiliationUniversity of Natural Sciences and Humanities in Siedlce, Institute of Polish Language and Literature and Applied Linguisticspl_PL
dc.contributor.authorBiographicalnoteJacek Kowzan is a graduate of the University of Wrocław, Poland. He also studied and lectured at the University of Glasgow, UK. Currently he is a lecturer at the Institute of Polish Language and Literature and Applied Linguistics at the University of Natural Sciences and Humanities in Siedlce, Poland. His main research interests focus on early Polish literature and culture, especially late medieval and early modern eschatology in its European context. He is the author of Quattuor hominum novissima. Dzieje serii tematycznej czterech rzeczy ostatecznych w literaturze staropolskiej (“The History of the Four Last Things” Thematic Series in Old Polish Literature).pl_PL
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dc.identifier.doi10.18778/7525-994-0.15
dc.relation.volume3pl_PL


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