| dc.contributor.author | Lachman, Michał | |
| dc.contributor.editor | Kazik, Joanna | |
| dc.contributor.editor | Mirowska, Paulina | |
| dc.date.accessioned | 2019-06-10T07:40:19Z | |
| dc.date.available | 2019-06-10T07:40:19Z | |
| dc.date.issued | 2013 | |
| dc.identifier.citation | Lachman M., “Seeking out Strangeness”: Tony Kushner’s Homebody/Kabul, [w:] Studies in English Drama and Poetry vol. 3. Reading subversion and transgression, Kazik J., Mirowska P. (red.), Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2013, s. 67-78, doi: 10.18778/7525-994-0.06 | pl_PL |
| dc.identifier.isbn | 978-83-7525-994-0 | |
| dc.identifier.uri | http://hdl.handle.net/11089/28796 | |
| dc.description.abstract | Tony Kushner’s 1997 play Homebody/Kabul tells a story of an English woman who decides to leave her cozy London flat, travel to Kabul and marry a Muslim. Her English husband and daughter follow her to Afghanistan only to fall victim to all kinds of cultural misunderstandings. The play, staging multiple dislocations on personal, cultural and linguistic levels, presents characters forced to inhabit a foreign and hostile culture which they cannot describe, comprehend and, eventually, survive. By placing his protagonists in an entirely different cultural milieu from the one they were brought up in, Kushner creates a possibility for investigating the impact of cultural difference. The play dramatizes subversive power of ordinary words and everyday activities which assume disruptive potential when confronted with a foreign
culture. Ultimately, Kushner’s idea is to present the Western mind and identity as cultural constructs which are very difficult to transgress and negotiate. | pl_PL |
| dc.description.sponsorship | Udostępnienie publikacji Wydawnictwa Uniwersytetu Łódzkiego finansowane w ramach projektu „Doskonałość naukowa kluczem do doskonałości kształcenia”. Projekt realizowany jest ze środków Europejskiego Funduszu Społecznego w ramach Programu Operacyjnego Wiedza Edukacja Rozwój; nr umowy: POWER.03.05.00-00-Z092/17-00. | pl_PL |
| dc.language.iso | en | pl_PL |
| dc.publisher | Wydawnictwo Uniwersytetu Łódzkiego | pl_PL |
| dc.relation.ispartof | Kazik J., Mirowska P. (red.), Studies in English Drama and Poetry vol. 3. Reading subversion and transgression, Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2013; | |
| dc.relation.ispartofseries | Studies in English Drama and Poetry; | |
| dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Międzynarodowe | * |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
| dc.subject | Seeking out Strangeness | pl_PL |
| dc.subject | Tony Kushner | pl_PL |
| dc.subject | Homebody/Kabul | pl_PL |
| dc.title | “Seeking out Strangeness”: Tony Kushner’s Homebody/Kabul | pl_PL |
| dc.type | Book chapter | pl_PL |
| dc.page.number | 67-78 | pl_PL |
| dc.contributor.authorAffiliation | University of Łódź, Institute of English Studies, Department of Studies in Drama and Pre-1800 English Literature | pl_PL |
| dc.contributor.authorBiographicalnote | Michał Lachman is a lecturer in English and Irish drama at the Department of Studies in Drama and Pre-1800 English Literature, University of Łódź, Poland. His research interests include the history of twentieth-century British and Irish drama, literary theory and translation. He has published on Brian Friel, Martin
McDonagh, Marina Carr, Enda Walsh, Frank McGuinness, Sarah Kane and Mark Ravenhill. His book Razor’s Edge: British and Irish Drama of the 1990s was published in 2007. He has also translated Christina Reid’s Belle of the Belfast City, Billy Roche’s A Handful of Stars, Frank McGuinness’ Observe the Sons of Ulster Marching Towards the Somme and Innocence. His translations of Eli Rozik’s Roots of Theatre and William Hogarth’s essay The Analysis of Beauty were published in 2011. | pl_PL |
| dc.references | Brantley, Ben. “Afghanistan Still Stirs A Housewife.” Rev. of Homebody/Kabul, dir. Frank Galati. New York Times. New York Times, 13 May 2004. Web. 11 Mar. 2010. | pl_PL |
| dc.references | Dupree, Nancy Hatch. An Historical Guide to Kabul. Collab. Ahmad Ali Kohzad. Kabul: Afghan Tourist Organization, 1972. Print. | pl_PL |
| dc.references | Kushner, Tony. Afterword. Homebody/Kabul. New York: Theatre Communication Group, 2004. 141–49. Print. | pl_PL |
| dc.references | Kushner, Tony. “Fick Oder Kaputt!” Thinking About the Longstanding Problems of Virtue and Happiness. New York: Theatre Communication Group, 1995. 13–19. Print. | pl_PL |
| dc.references | Kushner, Tony. Homebody/Kabul. New York: Theatre Communication Group, 2004. Print. | pl_PL |
| dc.references | Said, Edward. Culture and Imperialism. New York: Vintage Books, 1994. Print. | pl_PL |
| dc.references | Said, Edward. Orientalism. London: Penguin Books, 2003. Print. | pl_PL |
| dc.references | Simmons, Paulanne. “‘Kabul’ Marathon.” Rev. of Homebody/Kabul, dir. Frank Galati. Brooklyn Paper. N.p., 29 May 2004. Web. 11 Mar. 2010. | pl_PL |
| dc.references | Vorlicky, Robert. Tony Kushner in Conversation. Michigan: University of Michigan Press, 1998. Print. | pl_PL |
| dc.identifier.doi | 10.18778/7525-994-0.06 | |
| dc.relation.volume | 3 | pl_PL |