| dc.contributor.author | Tierling-Śledź, Ewa | |
| dc.date.accessioned | 2013-07-10T15:38:04Z | |
| dc.date.available | 2013-07-10T15:38:04Z | |
| dc.date.issued | 2012 | |
| dc.identifier.issn | 1505-9057 | |
| dc.identifier.uri | http://hdl.handle.net/11089/2372 | |
| dc.description.abstract | The article discusses the autobiographical work of Artur Rubinstein entitled My Many
Years. The author of the article is interested in how the virtuoso pianist writes about
music and his inspiring performances. On the one hand, Rubinstein defends the right to
a certain freedom in realizing the score, the other hand, he is ashamed to admit ignoring
the role of practising the piano. The author of the article treats the pianist’s declarations
as a kind of autocreation literary game. | en |
| dc.description.sponsorship | Publikacja dofinansowana przez Wydział Filologiczny UŁ | pl_PL |
| dc.language.iso | pl | pl_PL |
| dc.publisher | Primum Verbum | pl_PL |
| dc.relation.ispartofseries | Acta Universitatis Lodziensis, Folia Litteraria Polonica;2 | |
| dc.title | „Panowanie nad publicznością”. Muzyczne i literackie gry Artura Rubinsteina | pl_PL |
| dc.title.alternative | ‘Charming the the audience’. Artur Rubinstein’s music and literary strategies | en |
| dc.type | Article | en |
| dc.page.number | 155-163 | |
| dc.contributor.authorAffiliation | Instytut Polonistyki i Kulturoznawstwa, Uniwersytet Szczeciński | |
| dc.relation.volume | 16 | |
