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dc.contributor.authorMcAlister, Jodi
dc.date.accessioned2017-05-29T07:04:02Z
dc.date.available2017-05-29T07:04:02Z
dc.date.issued2015
dc.identifier.issn2353-6098
dc.identifier.urihttp://hdl.handle.net/11089/21796
dc.description.abstractThe Fifty Shades series has brought erotic fiction to a broader and more mainstream audience than ever before. In its wake, a number of erotic romance series have achieved unprecedented popularity, such as Sylvia Day’s Crossfire series and Lisa Renee Jones’ Inside Out series. These books do not fit comfortably into the genres of romance or pornography: rather, they fuse the romantic and pornographic together. This locates the multiple climaxes of pornography within the overarching emotional climax of romance and creates a structure that is both finite and infinite, allowing the books to create both instant and delayed gratification. This article examines The Sheik as a textual forebear to Fifty Shades before moving on to examine the ways in which romance and pornography are fused, overcoming the limits of serialization in romance, and creating a romantic “pornotopia.”pl_PL
dc.language.isoenpl_PL
dc.publisherDepartment of Studies in Drama and Pre-1800 English Literature, University of Łódźpl_PL
dc.relation.ispartofseriesAnalyses/Rereadings/Theories Journal;2
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.subjectromancepl_PL
dc.subjectpornographypl_PL
dc.subjectFifty Shadespl_PL
dc.subjecterotic romancepl_PL
dc.subjectgenrepl_PL
dc.titleBreaking the Hard Limits: Romance, Pornography, and the Question of Genre in the Fifty Shades Trilogypl_PL
dc.typeArticlepl_PL
dc.rights.holderJodi McAlisterpl_PL
dc.page.number23-33pl_PL
dc.contributor.authorAffiliationMacquarie Universitypl_PL
dc.contributor.authorBiographicalnoteDr Jodi McAlister is an Honorary Associate in the Department of Modern History, Politics and International Relations at Macquarie University in Sydney. She is an interdisciplinary scholar, working across History, English, and Cultural Studies. Her PhD thesis examined the evolution of representations of virginity loss in popular literatures. Her current research is on the history of romantic love and its representations, and its intersections with the history and discourses of sex. Her debut novel will be published in 2017.pl_PL
dc.referencesAnon. “Sub-Umbra, or Life Among the She-Noodles.” The Pearl: A Journal of Facetiae and Voluptuous Reading 1 (July 1879). Horntip, n.d. Web. 26 September 2015.pl_PL
dc.referencesChow, Karen. “Popular Sexual Knowledges and Women‘s Agency in 1920s England: Marie Stopes‘s Married Love and EM Hull‘s The Sheik.” Feminist Review 63.1 (1999): 64-87. Print.pl_PL
dc.referencesClark, Anna. Desire: A History of European Sexuality. Abingdon and New York: Routledge, 2008. Print.pl_PL
dc.referencesDay, Sylvia. Bared to You. New York: Penguin, 2012. Print.pl_PL
dc.referencesDay, Sylvia. Captivated by You. New York: Penguin, 2014. Print.pl_PL
dc.referencesDay, Sylvia. Entwined with You. New York: Penguin, 2013. Print.pl_PL
dc.referencesDay, Sylvia. Reflected in You. New York: Penguin, 2012. Print.pl_PL
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dc.referencesFrye, Northrop. Anatomy of Criticism: Four Essays. Princeton: Princeton UP, 1957. Print.pl_PL
dc.referencesGabaldon, Diana. A Breath of Snow and Ashes. London: Arrow, 2005. Print.pl_PL
dc.referencesGoris, An. “Happily Ever After… And After: Serialization and the Popular Romance Novel.” Americana: The Journal of American Popular Culture 1900-Present 12.1 (2013). Web. 15 Dec. 2015.pl_PL
dc.referencesHull, E.M. The Sheik. 1919. Reprint, Sydney: ReadHowYouWant, 2008. E-book.pl_PL
dc.referencesJames, E.L. Fifty Shades Darker. London: Arrow Books, 2012. Print.pl_PL
dc.referencesJames, E.L. Fifty Shades Freed. London: Arrow Books, 2012. Print.pl_PL
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dc.referencesJones, Lisa Renee. All Of Me. New York: Pocket Books, 2015. Print.pl_PL
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dc.referencesJones, Lisa Renee. No In Between. New York: Pocket Books, 2014. Print.pl_PL
dc.referencesJones, Lisa Renee. Revealing Us. New York: Pocket Books, 2013. Print.pl_PL
dc.referencesLutz, Deborah. The Dangerous Lover: Gothic Villains, Byronism, and the Nineteenth-Century Seduction Narrative. Columbus: Ohio State UP, 2006. Print.pl_PL
dc.referencesMarcus, Stephen. The Other Victorians: A Study of Sexuality and Pornography in Mid- Nineteenth Century England. London: Weidenfeld and Nicolson, 1966. Print.pl_PL
dc.referencesMcAlister, Jodi. “Romancing the Virgin: Female Virginity Loss and Love in Popular Literatures in the West.” PhD thesis, 2015. Print.pl_PL
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dc.referencesPaasonen, Susanna, Kaarina Nikunen and Laura Saarenmaa. “Pornification and the Education of Desire.” Pornification: Sex and Sexuality in Media Culture. Ed. Susanna Paasonen, Kaarina Nikunen and Laura Saarenmaa. Oxford: Berg, 2008. 1-17. Print.pl_PL
dc.referencesRegis, Pamela. A Natural History of the Romance Novel. Philadelphia: U of Pennsylvania P, 2003. Print.pl_PL
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dc.referencesSmith, Clarissa. One for the Girls!: The Pleasures and Practices of Reading Women’s Porn. Bristol, Intellect Books, 2007. Print.pl_PL
dc.referencesTeo, Hsu-Ming. Desert Passions: Orientalism and Romance Novels. Austin, TX: U of Texas P, 2012. Print.pl_PL
dc.referencesWilson-Kovacs, Dana. “Some Texts Do it Better: Women, Sexually Explicit Texts and the Everyday.” Mainstreaming Sex. Ed. Feona Attwood. London: IB Tauris, 2009. 147-64. Print.pl_PL
dc.relation.volume3pl_PL


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Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska
Except where otherwise noted, this item's license is described as Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska