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dc.contributor.authorKwiatkowski, Fryderyk
dc.date.accessioned2016-06-14T17:55:51Z
dc.date.available2016-06-14T17:55:51Z
dc.date.issued2015
dc.identifier.issn1733-0319
dc.identifier.urihttp://hdl.handle.net/11089/18386
dc.description.abstractIn the author’s opinion the story depicted in "The Truman Show" (1998) by Peter Weir comprises a reinterpretation of a Gnostic myth about the liberation of a „divine spark” from the material world. In spite of the fact that the director did not know about Gnosticism before he started to make the film, the author of the article presents that many motifs in his work can be viewed through the ideas expressed in various Gnostic systems. The Gnostic notions were reinterpreted in "The Truman Show" on a fundamental level of the world being presented in as well as in the narrative structure of the movie.pl_PL
dc.description.sponsorshipPublikacja dofinansowana przez Rektora Uniwersytetu Łódzkiego oraz Dziekana Wydziału Filologicznego Uniwersytetu Łódzkiego.pl_PL
dc.language.isoplpl_PL
dc.publisherWydawnictwo Uniwersytetu Łódzkiegopl_PL
dc.relation.ispartofseriesCollectanea Philologica;Numer Specjalny
dc.subjectgnosticismpl_PL
dc.subjectpop-culturepl_PL
dc.subjectHollywoodpl_PL
dc.subjectfilmpl_PL
dc.titleMedialna rzeczywistość w „Truman Show” (1998) Petera Weira w perspektywie myśli gnostyckiejpl_PL
dc.title.alternativeMedia reality in “Truman Show” (1998) by Peter Weir in the perspective of gnostic thoughtpl_PL
dc.typeArticlepl_PL
dc.rights.holder© Copyright by Fryderyk Kwiatkowski, Łódź 2015; © Copyright for this edition by Uniwersytet Łódzki, Łódź 2015pl_PL
dc.page.number23-33pl_PL
dc.contributor.authorAffiliationUniwersytet Jagielloński.pl_PL
dc.identifier.eissn2353-0901
dc.contributor.authorBiographicalnoteFryderyk Kwiatkowski – he graduated with a Masterʼs Degree in Film Stu- dies at the Institute of the Audio-visual Arts of the Jagiellonian University in Kra- ków. He is currently a Ph.D. candidate at the Institute of Philosophy of the same university. He prepares his dissertation about gnostic motifs in contemporary pop culture. He is interested in philosophy of film, Western esotericism in the context of history of religion, history of philosophy and the influence of esoteric traditions on contemporary culture.pl_PL
dc.identifier.doi10.18778/1733-0319.S15.03


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