Pokaż uproszczony rekord

dc.contributor.authorMengham, Roden
dc.date.accessioned2015-12-04T11:05:25Z
dc.date.available2015-12-04T11:05:25Z
dc.date.issued2015-11-17en
dc.identifier.issn2083-2931en
dc.identifier.urihttp://hdl.handle.net/11089/15033
dc.description.abstractIn these paintings, visual and verbal languages provide us with different maps of the same territory; and Thurnauer’s hybridized representations argue that the world can only be rendered through a dialogue, an interlocution of different forms, genres, media. We approach her work, not as viewers whose function is predicated through a gaze regulated according to the distorting demands of consumption or control, but as readers engaged in a critical activity seeing around the edges of historically produced versions of the self.en
dc.publisherWydawnictwo Uniwersytetu Łódzkiegoen
dc.relation.ispartofseriesText Matters;5en
dc.rightsThis work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.en
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0en
dc.titlethurnauer: vt and vi, to paint in the second personen
dc.typeArticle
dc.page.number221-286en
dc.contributor.authorAffiliationUniversity of Cambridgeen
dc.identifier.eissn2084-574X
dc.referencesThurnauer, Agnès. “Aujourd’hui Lascaux” (2001). Journal et autres écrits.en
dc.referencesParis: Beaux-Arts de Paris, 2014. 133. Print.en
dc.references---. Interview with the author. October 2013.en
dc.references---. Seminar presentation at Yale. 2013. Transcript.en
dc.identifier.doi10.1515/texmat-2015-0016en


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