dc.contributor.author | Mengham, Rod | en |
dc.date.accessioned | 2015-12-04T11:05:25Z | |
dc.date.available | 2015-12-04T11:05:25Z | |
dc.date.issued | 2015-11-17 | en |
dc.identifier.issn | 2083-2931 | en |
dc.identifier.uri | http://hdl.handle.net/11089/15033 | |
dc.description.abstract | In these paintings, visual and verbal languages provide us with different maps of the same territory; and Thurnauer’s hybridized representations argue that the world can only be rendered through a dialogue, an interlocution of different forms, genres, media. We approach her work, not as viewers whose function is predicated through a gaze regulated according to the distorting demands of consumption or control, but as readers engaged in a critical activity seeing around the edges of historically produced versions of the self. | en |
dc.publisher | Wydawnictwo Uniwersytetu Łódzkiego | en |
dc.relation.ispartofseries | Text Matters;5 | en |
dc.rights | This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. | en |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0 | en |
dc.title | thurnauer: vt and vi, to paint in the second person | en |
dc.type | Article | |
dc.page.number | 221-286 | en |
dc.contributor.authorAffiliation | University of Cambridge | en |
dc.identifier.eissn | 2084-574X | |
dc.references | Thurnauer, Agnès. “Aujourd’hui Lascaux” (2001). Journal et autres écrits. | en |
dc.references | Paris: Beaux-Arts de Paris, 2014. 133. Print. | en |
dc.references | ---. Interview with the author. October 2013. | en |
dc.references | ---. Seminar presentation at Yale. 2013. Transcript. | en |
dc.identifier.doi | 10.1515/texmat-2015-0016 | en |