| dc.contributor.author | Matuchniak-Krasuska, Anna | |
| dc.date.accessioned | 2015-07-01T09:17:47Z | |
| dc.date.available | 2015-07-01T09:17:47Z | |
| dc.date.issued | 1994 | |
| dc.identifier.issn | 0208-600X | |
| dc.identifier.uri | http://hdl.handle.net/11089/10385 | |
| dc.description.abstract | For the audience of the 1980s in Poland, the social satire of Jerzy Duda-Gracz was a tool of
psychological compensation and vicarious communication. It was blatant in the face of censorship.
Those editions of Polish dialogues and Polish topics were extremely popular due to the fact that the
ideal viewer as conceived by the artist coincided precisely with the actual viewers of the painting at
that time. While the painting’s aesthetic value was of little importance, the artistic communication
was very efficient in expressing political and social content. To the painting’s viewers, the Polish
subject matter was its most important aspect. | pl_PL |
| dc.description.sponsorship | Zadanie pt. „Digitalizacja i udostępnienie w Cyfrowym Repozytorium Uniwersytetu Łódzkiego kolekcji czasopism naukowych wydawanych przez Uniwersytet Łódzki” nr 885/P-DUN/2014 dofinansowane zostało ze środków MNiSW w ramach działalności upowszechniającej naukę. | pl_PL |
| dc.language.iso | pl | pl_PL |
| dc.publisher | Wydawnictwo Uniwersytetu Łódzkiego | pl_PL |
| dc.relation.ispartofseries | Acta Universitatis Lodziensis. Folia Sociologica;25 | |
| dc.title | Recepcja metafory politycznej Jerzego Dudy-Gracza | pl_PL |
| dc.title.alternative | Social Reception of the Political Metaphor | pl_PL |
| dc.type | Article | pl_PL |
| dc.page.number | 7-26 | pl_PL |
| dc.contributor.authorAffiliation | Uniwersytet Łódzki | pl_PL |
