http://hdl.handle.net/11089/8995 Wed, 08 Apr 2026 19:46:48 GMT 2026-04-08T19:46:48Z https://dspace.uni.lodz.pl:443/bitstream/id/82cc34f2-7867-4288-a09f-156eb59d7b04/ http://hdl.handle.net/11089/8995 http://hdl.handle.net/11089/9195 The space in the literary work of Olga Tokarczuk Fliszewska, Olga The article presents and analyses types of space existing in the literary output of Olga Tokarczuk. The author focuses on exploring two triple divisions of this phenomenon. First division deals with an area understood as both open and closed sites, and objects. The second division distinguishes realistic space (specific events and places), internal (a hero’s psychology and a relationship between a human being and a place) and mythical (placing reality in myth). Sat, 01 Jan 2005 00:00:00 GMT http://hdl.handle.net/11089/9195 2005-01-01T00:00:00Z http://hdl.handle.net/11089/9194 Spojrzenie w przeszłość. O nurcie tzw. "późnej narracji archeologicznej" w dwudziestowiecznej polskiej literaturze fantastycznonaukowej Mazurkiewicz, Adam The category of late archeological narrative, related to science-fiction, is distingushed due to thematic criterion. The plot is based on a motif of excavations. The heroes, situated in distant future, are usually research workers, studying the lost civilisation. However, they have nothing but excavation for their research, because of discontinuity of culture, due to the erlier great dissaster (for instance the total war). This is why their investigation turns out to be vain: the argumentation is correct, but deduction is false, that is obvious for a learner. The learner can easily recognize the lost civilisation, the subject of research in the presented world, as his own contemporaneousness. Late archeological narrative is a kind o f mental experiment, that presents limitations of science and of human capibility to make the past known. There are few novels in Polish literature, representing this trend; in my opinion, it hasen’t exhausted its artistic possibilities yet. Sat, 01 Jan 2005 00:00:00 GMT http://hdl.handle.net/11089/9194 2005-01-01T00:00:00Z http://hdl.handle.net/11089/9193 Szukanie Boga. Poetycka refleksja Adriany Szymańskiej Jankelait, Barbara Dés le debut de sa creation poétique, Adriana Szymańska (qui a débiuté en 1968 avec son recueil Les cieux quolidiens) s’est concentrée sur la notion ďexistentialisme. Sa poésie lie des elements ďun journal intime qui décrit les experiences personnelles á des questions métaphysiques et exprime une reflexion concernant la souffrance du corps, la nature des relations interpcrsonnalles, la vie intérieure et le role de (’imagination poétique pour survivre dans le quolidien. Dans le recueil Une soudaine éternité (1984), considéré par la critique comrae une révolution dans sa création, on remarque une reflexion poétique sur la fuitc du temps, le caractére éphémére d ’un instant et les pensées sur ľhomme face á (’heritage culturel et á la religion. Une vision du monde comylétement differente est présenlée dans le recueil La pierre au hord de la route (1993) et dans les recueils suivants Requiem avee les oiseaux (1996), Les conies de ľespac.e (1999), L'été 1999 (2000). Dans les recueils, le point de repére important est l’aspecl religieux. La foi qui contient les faiblesses et les défauts de la nature humaine, la deference et la confiance infinie en dieu se melent dans les expressions poétiqucs á des questions multiples concernant le sens de ľ existence et la possibililé de connaissance. Sat, 01 Jan 2005 00:00:00 GMT http://hdl.handle.net/11089/9193 2005-01-01T00:00:00Z http://hdl.handle.net/11089/9192 "Zatopiony cały w ciemnych promieniach ziemi" - o "Telefonie" Zbigniewa Herberta Drozd, Anna The essay presents reflection upon Herbert’s piece entitled “The Telephone”. Due to some text changes made in the poem, ail three versions available in print have been taken into account. “The Telephone” has been considered against the deep background of Herbert’s poetry and some literary works of Thomas Merton and Czeslaw Milosz. According to the interpretation found in the essay, Herbert’s piece appears to be a testimony to poet’s concern with the spiritual shape of the present day. ‘The Telephone” seems to be the expression of poet’s specific and original attitude towards oriental influence on contemporary culture, too. Sat, 01 Jan 2005 00:00:00 GMT http://hdl.handle.net/11089/9192 2005-01-01T00:00:00Z